...wherein I join PCHH host Linda Holmes and regular panelists Stephen Thompson and Glen Weldon to talk about where the beloved hit movie fits into director Ridley Scott's oeuvre and its fidelity to Andy Weir's novel.
I suggested How-To Stories as a companion topic, since The Martian — in both its incarnations, albeit moreso in prose than onscreen — goes into unusual detail about the stuff its stranded-astronaut hero Mark Watney must do to survive on a planet that (so far we know) does not sustain life. We all struggled to come up with suitable examples of favorite stories in this genre, and to thread the needle between a How-To and a Procedural. I could've talked about several different Michael Mann films, but particularly Thief, Manhunter, Heat, or even The Insider. As is often the case, I didn't think of that until later.
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Reviewed in this week's Washington City Paper: Gabrielle Fulton's Uprising, about Osborne Perry Anderson, who wrote the only first-hand account of the doomed 1859 raid on Harper's Ferry led by abolitionist John Brown. In this "rolling world premiere" at Alexandria, Virginia's MetroStage, a mix of Negro spirituals and original songs power Fulton's story of a romance between Anderson — a fugitive for his role in Brown's raid — and a Pennsylvania field hand named Sal.
Some wonky characterization aside, I found it to be a powerful and not-glib exploration of heroism and sacrifice. My review is here.
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I am always grateful for an invitation to rub elbows with the Pop Culture Happy Hour crew. All your favorites are there around the table this week: Intrepid host Linda Holmes! Indefatigable regular panelist Stephen Thompson! Inexhaustible other regular panelist and Pal-for-Life Glen Weldon! And then there's me. The four of us merrily dissect the paranoid charms of Mr. Robot, showrunner Sam Esmail's much-discussed USA Network series about a brilliant but also probably off-his-rocker sometime-vigilante computer hacker involved in an anarchistic conspiracy. I think I got to say more or less everything I meant to about the show, though none of had seen the season finale when we recorded the episode, as it had not yet aired. Wait, no: I didn't mention how clever I think it is that we, the audience, are cast as the hacker's paranoid delusion. In voiceover, he addresses us as "you" while acknowledging that we're imaginary. Smart.
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I'm a big fan of Andy Weir's debut novel The Martian. I was actually listening to the audiobook on the day in April when I visited NASA's Jet Propulsion Laboratory in Pasadena, where the book is partially set. (It's also set in space and on Mars.) I was out there doing some reporting for my day job wit Air & Space / Smithsonian, and it was in that capacity that I got on the phone this week with Matt Damon, who plays the story's protagonist, stranded astronaut Mark Watney, in Ridley Scott's film adaptation, due out Oct. 2. The film hasn't screened for critics yet, but the fact its release date was moved up by nearly two months suggests the studio is convinced it works.
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