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Filtering by Tag: Stephen Thompson

Pop Culture Happy Hour: "The Odyssey"

Chris Klimek

Matt Damon is Odysseus and Zendaya is Athena. (Melinda Sue Gordon/Universal)

I fully expected my PCHH brethren Glen Weldon and (especially) Stephen Thompson to complain that Christopher Nolan’s all-star, shot-on-location-in-IMAX, no-expense-spared adaptation of a 2,800ish-year-old epic poem was too long with too few jokes. To my surprise and delight, they did not. Wailin Wong, who I had the pleasure of being on a panel with to dissect the probably-final Mission: Impossible last summer, shares my love of Tenet. It’s a fun episode.

My Washington City Paper review, meanwhile, is here.

Blue Man Regroup: "Avatar: Fire and Ash," reviewed.

Chris Klimek

He sees you when you’re sleeping, he knows when you’re awake…(20th Century Studios)

I wish I could give a more full-throated endorsement to the third, not-as-long-awaited Avatar, but I’m starting to have some real reservations about my first favorite filmmaker’s life’s work. My Washington City Paper review is here. You can also hear me discuss the movie with Stephen Thompson and Reanna Cruz on Pop Culture Happy Hour below.

Pop Culture Happy Hour: "Deliver Me From Nowhere"

Chris Klimek

Stations of the Boss: Jeremy Allen White as Bruce Joseph Douglas Springsteen.

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Springsteen: Deliver Me From Nowhere, filmmaker Scott Cooper’s adaptation of Warren Zanes’ eponymous nonfiction book about the making of Bruce Springsteen’s album Nebraska, is pretty conventional. But there’s an odd moment near the end that Linda Holmes, Stephen Thompson and I did not discuss on our Pop Culture Happy Hour episode about the movie. While nothing in this barely-fictionalized account of a well-documented chapter in the life of one of the famous musicians in history could be called a spoiler, this is one of the few interpretive choices Cooper makes that’s all surprising or intriguing, so reader beware.

The scene is a coda to the film, following a title card that reads “Ten Months Later,” which I inferred meant that this post-concert scene was set on the opening night of the Born in the U.S.A. tour in June 1984. Springsteen’s father Doug (an underused Stephen Graham) is waiting in The Boss’s dressing room, and he invites his son to sit on his knee. Among his other gentle protests, Jeremy Allen White’s Springsteen says, I’m 32 years old, Pop. But Bruce Joseph Douglas Springsteen (b. Sept. 23, 1949) was 34 when that tour began. I’ve probably misstated my age at some point in my life, but I can’t imagine that film as rigidly researched as this one, derived from an excellent nonfiction book and with its subject a frequent presence on the set, could miss a detail like that. I don’t think it’s an error. As I was watching the movie I thought it might be a clue that this a dream sequence. I went back and checked Springsteen’s memoir Born to Run to see if he made any mention of an odd occurrence like this happening on the beginning of the biggest tour of his career. He did not.

If my voice sounds a little odd on the episode, that’d be because I accidentally recorded myself via my crappy computer microphone instead of my Shure SM7B, a professional mic used by, among others, Marc Maron, who has a small role in the film as studio engineer Chuck Plotkin, whose name will be familiar to you if you’ve pored over 30-plus years of Springsteen liner notes as obsessively as I have. It’s only fitting that I encountered a rare recording-quality problem on the episode where we discuss the making of Bruce’s perfectly imperfect 1982 outlier LP Nebraska.

Meanwhile, my City Paper review of the film — where I go on a bit without getting into the weeds about exactly how old the now-76-year-old Springsteen was when — is here.

Pop Culture Happy Hour: "Jaws"

Chris Klimek

Having done the dirty work of surveying all three Jaws sequels for the Paper of Record earlier this summer, it’s only right that three-fourths of the original PCHH cast had me back to talk about the titanic original. Which I’ve seen on the big screen twice this summer.

Pop Culture Happy Hour: "A Complete Unknown"

Chris Klimek

Timmy as Bobby. (Fox Searchilight)

I was less than enthused when I read Timothée Chalamet would be playing Bob Dylan in a biopic set during the most widely-covered period of Dylan’s career, circa 1961-5. But I’m glad to say I was wrong! Placed within the Dylan Cinematic Extended Universe, James Mangold’s A Complete Unknown is not as original as Todd Haynes’s I’m Not There or the Coens’ Inside Llewyn Davis, nor is it as informative as No Direction Home, the 2005 Martin Scorsese documentary that covered this same Dylan era — and takes its title from the lyric that immediately precedes “a complete unknown” in “Like a Rolling Stone.” (I actually like the way this suggests Mangold’s dramatization of the same era as a companion piece to Marty’s fact-based account.)

I was glad to sing the praises of the new movie alongside Stephen Thompson and Bedatri D. Choudhury on today’s Pop Culture Happy Hour, wherein I also sneak in my traditional plug for my latest Christmas mixtape.

POP CULTURE HAPPY HOUR: "Avatar: The Way of Water" and What's Making Us Happy

Chris Klimek

Kate Winslet, Cliff Curtis, Zoe Saldaña, and Sam Worthington shooting one of the current or forthcoming Avatar sequels at some point between late 2017 and early 2020. (Fox)

James Cameron only releases a new feature film every dozen or so years, so you’ll forgive me if I’m excited. My Avatar: The Way of Water media blitz kicks off with a fun PCHH wherein Stephen Thompson, whom I’d incorrectly predicted would hate this movie, Reanna Cruz, and I talk through our reactions, and I plug my holiday mixtape.

POP CULTURE HAPPY HOUR: "THE BANSHEES OF INISHERIN" and What's Making Us Happy

Chris Klimek

Colin Farrell and Brendan Gleeson in another Martin McDonagh joint. (Fox Searchlight)

I was happy to join Bedatri D. Choudhury and host Stephen Thompson on Pop Culture Happy Hour to talk The Banshees of Inisherin, playright-turned-filmmaker Martin McDonagh’s latest feature. I was one of the few defenders of his prior film the highly divisive Three Billboards Outside of Ebbing, Missouri five years ago, but I was mostly here as a stan for McDonagh’s plays, which are what Inisherin recalls far more than any of his prior movies. My reviews of some of his plays seem to have blinked out of existence, but I reviewed Constellation’s The Lieutenant of Inishmore in 2015, and Keegan’s The Lonesome West and Forum’s The Pillowman, both in 2016. When we got to the What’s Making Me Happy segment, I had several good candidates, but I chose — defaulted, really — the most Irish of them. Because McDonagh.

Pop Culture Happy Hour: "Those Who Wish Me Dead" and What's Making Us Happy

Chris Klimek

Finn Little and Angelina Jolie are on the run and in the woods. (Warner Bros.)

Finn Little and Angelina Jolie are on the run and in the woods. (Warner Bros.)

I’m back on PCHH this week with cofounding hosts Linda Holmes and Stephen Thompson plus Walter Chaw, a Denver-based writer and critic whose work I’ve long admired, to chew over Those Who Wish Me Dead. The flick is an Angelina Jolie-headlined rural adventure thriller that will disappoint you only if you happen to know that its writer-director, Taylor Sheridan, wrote Sicario and Hell or High Water — two films that are leagues above this one in every regard. The panel is fairly unanimous in their mild enthusiasm for this so-so movie, but it’s a fun discussion all the same. But in the What’s Making Me Happy segment, I get to praise once again one of the most unique blockbusters of the 90s, or ever.