Furry Road: Isle of Dogs, reviewed.

Boss (Bill Murray), a former baseball team mascot, is part of a pack of exiled canines.

It's no shocker that I loved Wes Anderson's new stop-motion adventure of Isle of Dogs. It's a mild shocker that I didn't cry watching it. Either time! My NPR review is here. UPDATE: I'm on the Pop Culture Happy Hour episode where we hash over some of charges of insensitivity and cultural appropriate that a few critics have levied against the movie, too. That's on the same page as the review, but you can hear below, too.

Pop Culture Happy Hour: Black Mirror Season 4, discussed.

U.S.S. Callister is a standout among the new Black Mirror episodes released this week. (Netflix)

I'm on today's episode of Pop Culture Happy Hour, weighing in on the new season of Netflix's cautionary-tale tech anthology Black Mirror. One thing I should've said had there been time is just how much the open format of the show contributes to its ability to build tension. Two of my favorites among the six new episodes are "U.S.S. Callister," which runs a nearly feature-length 76 minutes, and "Metalhead," which clocks in at around 40 minutes—not even long enough to fill a network hour. Anyway, I was happy as always to join Linda and Glen, and especially glad to get to speak with Brittany Luse, whom I had not met previously. You can hear the episode below, or on whatever smart device you've got. Or both. I mean, we're all cuffed to our digital appendages now, despite the warnings of Black Mirror creator Charlie Brooker.

In the "What's Making Me Happy" segment, I plug my latest Christmas mixtape, Noel Means Noel, which remains available for your halldecking, merrymaking edificaiton, along with most of its predecessors. Merry Eight More Days of Christmas.

Pop Culture Happy Hour No. 288: Batman v Superman and Objects We Desire

Ben Affleck's Bruce Wayne remembers his fallen partner Robin in Batman v Superman (Warners).

I was happy as always to join Linda Holmes, Stephen Thompson, and my Pal-for-Life Glen Weldon on this week's Pop Culture Happy Hour, wherein we perform an autopsy on the rotten corpse of Batman v Superman: Dawn of Justice, which I was expected to defend but could not. The precedent for this was my defense of Man of Steel on this show three years ago.

Since none of us liked this film — in fact we all disliked it so much that the controversial issue of Henry Cavill's height never even came up — we decided to broaden the topic to try to pin down the elements that make a would-be action blockbuster work or not work. I forgot to say so on the show, but I wrote about this for Linda two summers ago after helping the staff of The Dissolve, may it rest in peace, to determine the 50 Greatest Summer Blockbusters.

Blockbuster Patient Zero:

I Like Pink Very Much, Lois: Top Five Superman/Batman Movie Moments, on this week's Filmspotting

Michelle Pfieffer and Michael Keaton in Tim Burton's Batman Returns, a film I like more now than I did in 1992.

It was a true pleasure to be on Filmspotting again, this time in a World's Finest-style team-up with my Pal-for-Life Glen Weldon. Glen is "unauthor" (his joke, people) of Superman: The Unauthorized Biography and author the just-published, even-better The Caped Crusade: Batman and the Rise of Nerd Culture. Host Adam Kempenaar invited the two of us to join him for this episode's Top Five segment, Superman/Batman Movie Moments. Adam and Chicago Tribune film critic Michael Phillips reviewed Batman V Superman: Dawn of Justice in the show's first segment. They didn't like it any more than I did.

There's always at least one thing in my notes that I forget to say when I'm on a podcast/radio show, and this time it was a big one: In my No. 1 Superman/Batman scene, the Lois/Superman patio interview from Superman '78, the big guy actually volunteers to the Daily Planet reporter that he can't see through lead. Hey world! I know I seem invulnerable, but I do have a few exploitable weaknesses which I shall now reveal!

I love this, because it shows us that Supes' belief in humanity's goodness is so absolute (and unchallenged, somehow, even though we know from this very film that he attended high school) that it doesn't even occur to him that he should keep his vulnerabilities to himself. But when Lois asks his age, he will say only that he is "over 21," a line that perfectly encapsulates the discreet but palpable sexual tension of the scene. It's a huge improvement on Superman’s reply to this question in an earlier draft of the scene that was used to audition actors for the role of Lois once Christopher Reeve had been cast: “Thirty.”

Everything that's weird about this conversation — "Krypton with a 'C-R-I?'" "No, Krypton with a K-R-Y." — feels like a deliberate, and inspired, decision by screenwriter Tom Mankiewicz  (whose formal credit on the picture was "Creative Consultant") and director Richard Donner. There's plenty in their Superman that I don't love, starting with all those wacky komedy scenes of sacrificial fat guy Ned Beatty falling off of ladders while tuba music plays. But the stuff Superman gets right is as right as any superhero flick has ever gotten anything. The patio interview is one of those.

Pop Culture Happy Hour No. 283: Hail, Caesar! and Backstage Stories

George Clooney plays a pampered Capitol Pictures movie star in Hail, Caesar! (Universal)

I'm very happy to be on the panel for this week's Hail, Caesar!-focused Pop Culture Happy Hour, my first with my Washington City Paper pal Bob Mondello. In it, Pal-for-Life Glen Weldon tells Bob he "beat [him] to the Hamlet punch," which is a funny phrase, if you think about it. Earlier in this episode, G-Weld beat me to the Sullivan's Travels punch, but here's the clip I was going to play.

This episode also has some thematic crossover with the Top Five Movies About Movies segment in which I participated on an episode of WBEZ's Filmspotting from late 2011. My NPR review of Hail, Caesar! — wherein I may have underserved the film's philosophical payload, unless I didn't — is here. This was an especially enjoyable episode for me; I hope you all dig it.

Pop Culture Happy Hour: The Comedians and Cameos

The new F/X series The Comedians, and the cameo appearance, are the topics of today's Pop Culture Happy Hour, which I was delighted as always to be a part of even though it means I don't get to do the Daredevil episode. 

On the cameo side, I came in prepared to sing the praises of Anchorman 2's crazypants climactic melee, a 12-way brawl wherein stars Will Ferrell, Paul Rudd, Steve Carrell, and Larry Miller throw down with Sasha Baron Cohen, Kanye West, Tina Fey, Amy Poehler, Jim Carrey, Marion Cotillard (!), Will Smith, Kirsten Dunst, Liam Neeson, Harrison Ford, and John C. Reilly as the Ghost of "Stonewall" Jackson.

If our discussion of cameos makes me a little nostalgic, maybe it's because the very first thing I had published on NPR's website was a dissection, which I co-wrote with my Pal-for-Life and full-time Pop Culture Happy Hour panelist Glen Weldon, of the cameo-rich 1978 comic book Superman Vs. Muhammad Ali.

Also, I wish I'd taken a moment during my encomium to Bengies Drive-In Theatre to explain what sorts of movies are best-served in its wonderfully anachronistic outdoors environs: Not the must-see pictures you're seeing for the first time, but the movies you kinda-sorta want to see but probably would not pay $14 for. At Bengies, you can see two or three movies for $10 a head, remember. It's 53 miles from my apartment in DC, so factoring in $10 for gas, and another Hamilton-spot for an Outside Food & Beverage Permit – $10 per car, on the honor system, but c'mon, we want this family-owned-and-operated independent cinema to stay afloat – you still get away for about the same amount you'd spend on a double-feature at a Regal Cinemas. And you see the movies in a more unique, welcoming, lightning bug-enhanced environment.

Last summer, I saw The Amazing Spider-Man 2 and 22 Jump Street on a double-bill there. The summer before that, I caught a triple-feature of Brave, Moonrise Kingdom (essential, but it was my second viewing), and Ted. Those are the kinds of movies that flourish in a setting where you may not catch every line or even every scene. Furious 7 is ideal for the drive-in.

FURTHER READING: My March 2014 Dissolve review of Anchorman 2: The Legend Continues (Super-Sized, R-Rated Edition).