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Filtering by Tag: Jessica Chastain

Let the Children Lose It, Let the Children Use It: The Martian, reviewed.

Chris Klimek

Good Matt Damon in The Martian. (Aidan Monaghan/20th Century Fox)

Good Matt Damon in The Martian. (Aidan Monaghan/20th Century Fox)

"There are a bunch of severe psychological effects that would happen to someone being isolated for almost two years. And also the anxiety and stress of being on the verge of death from various problems for so long—most people would not be able to handle that. The loneliness, the isolation, the anxiety, and stress—I mean, it would take an enormous psychological toll. And I didn’t deal with any of that. I just said like, 'Nope, that’s not how Mark Watney rolls.' So he has almost superhuman ability to deal with stress and solitude.
"And the reason I did that was because I didn’t want the book to be a deep character study of crippling loneliness and depression—that’s not what I wanted! So the biggest challenge were the psychological aspects, and I just didn’t address them and I hope the reader doesn’t notice."

— Novelist Andy Weir, to Ars Technica's Lee Hutchinson, last year.

"Let the children lose it
Let the children use it
Let all the children boogie."

David Bowie, "Starman," 1972.

My review of The Martian, screenwriter Drew Goddard and director Ridley Scott's inspiring and so-good-I'm-mad-it's-not-great adaptation of Andy Weir's superb novel, is up at NPR now. Further Reading: My interview with Martian star Matt Damon for Air & Space / Smithsonian.

U Talkin' U2 at Unreasonable Length 2 Me? U2 at Madison Square Garden, July 30, 2015, Annotated.

Chris Klimek

Last Thursday, I attended the seventh of U2's eight concerts at Madison Square Garden, which concluded their U.S. tour. It was my 18th U2 concert since 1997. Here are my notes, assembled in chronological order, which is the most boring possible method of review writing. Let's go!

1. Bono took the stage by himself, at the opposite end of the arena from the band. Most of the folks surrounding the B-stage on the floor where we were (though it’s called the E-stage now, being that this is the annoying capitalized iNNOCENCE + eXPERIENCE Tour) were staring at one of house-right floor entrances to the arena, smart phones at the ready, from the moment Patti Smith’s “People Have the Power” started playing on the P.A. I don’t like that he enters on his own. It contradicts the “just the four of us” narrative that they’ve always fostered, and it’s worth fostering. What other band has stayed intact with its original lineup for just a year or two shy of four decades?

2. My fellow superfans were really nice. We were in the G.A. line ahead of a guy named Bob Springsteen, of the Arkansas Springsteens — he showed me his I.D., unbidden. He was at the show with a pal on this evening but returning with his wife and young daughters, he said, the following night. So Bob Springsteen was in the house the night Bruce Springsteen joined U2 on stage. (I was not.) I’d been reading rumors of a Bruuuuuce appearance on fan sites for a week, and I figured, accurately, that if he showed up he would join in on “I Still Haven’t Found What I’m Looking For,” which he played with U2 after inducting them into the Rock and Roll Hall of Fame 10 years ago. (He was returning the favor. Bono gave Bruce’s induction speech in 1998.) He also played it with U2 at the 25th anniversary concert for the Rock and Roll Hall of Fame in 2009. So a not-especially-surprising surprise.

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