The Ongoing Failure of the PG-13 Rating: The Movie

In perhaps the strangest milestone of my I-guess-you-could-call-it-a-career, The Dissolve has adapted an essay of mine that they published back in December into a very clever two-and-a-half-minute animated short. Keith Phipps, who edited the original essay, wrote the script.

I'm honored. The original piece is here. Please note that it cites Guardians of the Galaxy as the top-grossing picture of 2014 in the U.S., which it was at the time of publication; Guardians was subsequently out-earned by The Hunger Games: Mockingjay, Part 1 and American Sniper. Anyway, my thanks to Keith and to animators Mack Williams and Benji Williams and their team for doing such a beautiful job with this. I've embedded the video above, but please go watch it on The Dissolve, where it's accompanied by a behind-the-scenes video wherein Mack Williams pulls back the curtain on how he turned a script into a cartoon.

The Overlook'd Hotel: very still and hard to see, reviewed.

Yasmin Tuazon and friends. (C. Stanley Photography)

I often admire the work Rorschach Theatre Company does, but I struggled with their latest offering, an atmospheric but impenetrable production of Steve Yockey's very still and hard to see. My review is in today's Washington City Paper.

Cheks Mix: Vanya and Sonia and Masha and Spike & Uncle Vanya, reviewed.

We've got an An-ton of Chekhov in DC just now, what with Arena Stage doing Christopher Durang's Tony Award-winning, Chekhov-inflected Sonia and Masha and Vanya and Spike, while Round House Theatre has put together a sublime new Uncle Vanya, working from Pulitzer Prize winner Annie Baker's recent translation of the play.

I review both of those in today's Washington City Paper. I have seen Live Art DC's staged-in-a-bar Drunkle Vanya yet, but it's stumbling distance from my apartment so I should find the time.

FURTHER READING: My 2010 review of Baker's Circle Mirror Transformation. My 2011 review of Sydney Theatre Company's Liv Ullmann-directed, Cate Blanchett and Hugo Weaving-starring Uncle Vanya. My 2012 review of Baker's The Aliens. My 2013 review of Aaron Posner's Stupid Fucking Bird, and its follow-up, from earlier, this year, Life Sucks, or the Present Ridiculous. Surely that's more than enough.

Pop Culture Happy Hour: The Comedians and Cameos

The new F/X series The Comedians, and the cameo appearance, are the topics of today's Pop Culture Happy Hour, which I was delighted as always to be a part of even though it means I don't get to do the Daredevil episode. 

On the cameo side, I came in prepared to sing the praises of Anchorman 2's crazypants climactic melee, a 12-way brawl wherein stars Will Ferrell, Paul Rudd, Steve Carrell, and Larry Miller throw down with Sasha Baron Cohen, Kanye West, Tina Fey, Amy Poehler, Jim Carrey, Marion Cotillard (!), Will Smith, Kirsten Dunst, Liam Neeson, Harrison Ford, and John C. Reilly as the Ghost of "Stonewall" Jackson.

If our discussion of cameos makes me a little nostalgic, maybe it's because the very first thing I had published on NPR's website was a dissection, which I co-wrote with my Pal-for-Life and full-time Pop Culture Happy Hour panelist Glen Weldon, of the cameo-rich 1978 comic book Superman Vs. Muhammad Ali.

Also, I wish I'd taken a moment during my encomium to Bengies Drive-In Theatre to explain what sorts of movies are best-served in its wonderfully anachronistic outdoors environs: Not the must-see pictures you're seeing for the first time, but the movies you kinda-sorta want to see but probably would not pay $14 for. At Bengies, you can see two or three movies for $10 a head, remember. It's 53 miles from my apartment in DC, so factoring in $10 for gas, and another Hamilton-spot for an Outside Food & Beverage Permit – $10 per car, on the honor system, but c'mon, we want this family-owned-and-operated independent cinema to stay afloat – you still get away for about the same amount you'd spend on a double-feature at a Regal Cinemas. And you see the movies in a more unique, welcoming, lightning bug-enhanced environment.

Last summer, I saw The Amazing Spider-Man 2 and 22 Jump Street on a double-bill there. The summer before that, I caught a triple-feature of Brave, Moonrise Kingdom (essential, but it was my second viewing), and Ted. Those are the kinds of movies that flourish in a setting where you may not catch every line or even every scene. Furious 7 is ideal for the drive-in.

FURTHER READING: My March 2014 Dissolve review of Anchorman 2: The Legend Continues (Super-Sized, R-Rated Edition).

On Around Town, talking Laugh, Man of La Mancha, The Originalist, and Soon.

My regimen of smiling and sentence-speaking practice continues as I join host Robert Aubry Davis and Washington Post arts writer Jane Horwitz for another Around Town panel discussion of what's happening on stage here in Our Nation's Capitol and its close suburbs. In this batch of videos, which have also been airing irregularly on your public television, we discuss three shows I reviewed for the Washington City Paper and one I didn't: Beth Henley's homage to silent film comedies Laugh, the Shakespeare Theatre's new production of the classic musical Man of La Mancha, Arena Stage's world premiere play about divisive Supreme Court Justice Antonin Scalia, The Originalist, and Soon, a new musical about the end of the world, kind of, at Signature Theatre.

These links no longer play nice with my blogging platform, so they're not embeddable.

Laugh

http://watch.weta.org/video/2365462454/

Soon

http://watch.weta.org/video/2365462413/

Man of La Mancha

http://watch.weta.org/video/2365462437/

The Originalist

http://watch.weta.org/video/2365462393/

John Kevin Boggs, 1963-2015

John Kevin Boggs had many people closer to him than me, but we were friendly acquaintances for a decade and running into him never failed to improve my mood. I wrote what I remember and admire about him for The Washington City Paper.

Judgment Days: Signature Theatre's Soon, reviewed.

Alex Brightman and Joshua Morgan in Soon.

My review of all-rounder Nick Blaemire's world premiere apocalypse musical Soon is in today's Washington City Paper. Or you can save an already-killed tree and read it here.