Book Review: "Hits, Flops, and Other Illusions — My Fortysomething Years in Hollywood"

My Washington Post review of prolific writer/director/producer/showrunner Ed Zwick’s name-dropping but also name-naming memoir is here.

"Masters of the Air," recapped.

Callum Turner, Austin Butler, and a B-17. (Apple TV+)

With seven years as an editor for Air & Space / Smithsonian, may it rest in power, under my belt, I was the only man for the job of telling you which real American historical figures are played by real English and Irish actors. My Vulture recaps of Masters of the Air, showrunner John Orloff’s long-delayed Apple TV+ adaptation of Donald L. Miller’s nonfiction history book, are here.

"Reacher," recapped!

Reacher locked his keys in the car again. Just kidding; Reacher doesn’t have a car. Or any keys. (Brooke Palmer / Prime Video)

I’m recapping the second season of Reacher, the first-nameless Amazon adaptation of Lee Child’s hilarious series of novels about a hyper-competent, mountain-sized ex-military vigilante hobo, for Vulture. Truly, this is a labor of love. I yield to no man in my admiration for Christopher McQuarrie’s 2012 feature Jack Reacher, but this is a different beast. A larger, less expensive one.

A Degree Absolute! episode forty-two: "The Computer Wore Menace Shoes"

It's a Y2K-pop extravaganza as Chris and Glen emerge from their unplanned and unannounced hiatus to dissect 72-year-old Patty McG's brief-but-memorable guest appearance reprising the role of Number Six for (the final eight minutes of) the Season 12 Simpsons episode "The Computer Wore Menace Shoes." Cowabunga!

The Simpsons, season 12, episode six — "The Computer Wore Menace Shoes"

Written by John Swartzwelder

Directed by Mark Kirkland

Originally aired December 3, 2000

"M*A*S*H" at Fifty for Smithsonian

September 17 marked the 50th anniversary of the debut of M*A*S*H, a pioneering TV series that was a little before my time (says the guy who co-hosts a show about an older a much more obscure series) but which has its share of latter-day acolytes. I spoke to a couple of them for my Smithsonian piece about the show’s legacy.

Pop Culture Happy Hour: "Severance"

Tramell Tillman, Zach Cherry, John Turturro, Britt Lower and Adam Scott in the Apple TV+ series Severance.

I was thrilled to join my old pals Linda and Glen and my new pal Roxana Hadadi to discuss Severance, the marvelous and unsettling new Apple+ sci-fi drama.

A DEGREE ABSOLUTE! episode twenty-nine — Our Top Six Twos

THERE CAN BE ONLY TWO(s) as Chris & Glen rank their top six on this week’s exciting episode!

A DEGREE ABSOLUTE! episode twenty-two — ESCAPE FROM ALCATRAZ

I wish I knew you actually painted this portrait of Patrick McGoohan’s sadistic, unnamed warned, attributed in the 1979 film Escape From Alcatraz to the character of Doc as played by Roberts Blossom.

Maximum Fun? More like maximum security! Maximum Fun podcast network founder and San Francisco native Jesse Thorn joins us this week to tunnel through the crumbling walls of Escape From Alcatraz, the 1979 Clint Eastwood-starring dramatization of the real 1962 prison break, featuring Patty McG as…The Warden. Stunt casting doesn’t get any stuntier, though Glen and I differ on exactly how much The Artist Formerly Known Only as Number Six contributes to the 115-minute picture in his roughly 10 minutes of screen time.

Also, am I the only person on this dang podcast who respects Eastwood as an artist? Sure, I hated his film Richard Jewell, and I said in my 2019 review that the then-89-year-old’s make-a-movie-every-year working tempo may have contributed to the declining quality of his ouvre. But you can’t just dismiss the guy who made Unforgiven and A Perfect World and Bird and so many others, outside of the westerns and cop thrillers and middling airport novel adaptations that his name conjures up.

I never saw The Mule, but I heard he has not one but two threesomes in that movie, which my parents saw at the cheap seniors-only early-afternoon weekday show. That’s reason enough for me to choose anything else from his 45-film, 50-year feature film directing resume next time I feel like clearing up one of my Eastwood blind spots.