Three new Around Town play reviews means three new opportunities to attempt to smile on command and to speak in concise sentences that end rather than trail off. (I'll keep working on it.) This time, host Robert Aubry Davis and Washington Post arts writer Jane Horwitz and I discuss Studio Theatre's Choir Boy, Theater J's Life Sucks, Or the Present Ridiculous, and Ford's Theatre's The Widow Lincoln. That's two shows I liked a lot, respectively, plus one I liked, well, more than many others did. (My Washington City Paper reviews are here, here, and here.) I am informed that one of these aired on WETA right after Downton Abbey last night, which I am certain is the best lead-in I shall ever get. We're the A Different World of public broadcasting!
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New year! Lightly refurbished attitude! Same old trouble smiling when announced and speaking in complete sentences!I am always happy to be invited to join host Robert Aubry Davis and Washington Post arts writer Jane Horwitz to talk theatre on WETA's Around Town.
In these two mini-sodes, when share our impressions of Washington Stage Guild's revival of Terence Rattigan's In Praise of Love (for more words, see my Washington City Paper review here) and Signature Theatre's new musical version of Barry Levinson's classic 1982 film Diner, featuring songs by Sheryl Crow.
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For further evidence of how hopeless I am at looking into a camera and smiling when someone says my name, we take you once again to the studios of WETA, where I was delighted as always to join Around Town host Robert Aubry Davis and Washington Post arts writer Jane Horwitz last week for ultra-concise discussions of two shows I recently reviewed for the Washington City Paper. We covered Synetic Theatre's fresh adaptation of Beauty and the Beast and Old Trout Puppet's Workshop's surreal Famous Puppet Death Scenes.
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