Pop Culture Happy Hour #203: Guardians of the Galaxy and So-Bad-It's-Good

Even this movie was good this summer. 2014 has been a great year for popcorn flicks.

I was thrilled as always to fill the fourth chair on this week's Pop Culture Happy Hour, wherein we discuss the latest -- and funniest, and unlikeliest -- Marvel Studios blockbuster, Guardians of the Galaxy. Even I had no idea who any of these characters were when I sat down to watch this thing.

We also discussed the curious, evergreen phenomenon of Things So Bad They Are Good, a complex topic that did not in this case stray too far from the TV movie that inspired this latest iteration of it, Sharknado 2. 

DISCLOSURE: I have not seen Sharknado 2. Nor, indeed, have I seen Sharknado. I have, however, seen the movie wherein Steven Seagal pledges to take the crooked U.S. Senator who killed his wife and put him in a coma for seven years... to the bank.

...to the U.S. Savings and Loan Bank.

Wait, I think I messed up the line. In any case, I'm sorry our discussion did not proceed in a direction that would've allowed me to play this clip from Seagal's 1990 hit Hard to Kill.

If we all sound unusually somber, it's because this episode was recorded on my birthday! Stream it or download it here.

NPR PCHH #203: Guardians of the Galaxy & Things So Bad They're Good

FURTHER READING: My NPR review of Lucy from two weeks earlier. And my Dissolve review of Jinn and my Village Voice review of Brick Mansions, both from back in April.

Logan Hill's great story about the new expectation that male film stars sport gym-buffed bodies is here, but it was published in Men's Journal, not Men's Health as I fear I said on the show; my apologies.

Tickets to What's Making Me Happy This Week --  the smart stage sex comedy The Campsite Rule, by Alexandra Petri and starring my best gal Rachel Manteuffel -- are available here for a mere $20. If you're in or near Washington, DC or will be before the show closes on Aug. 16, you'll be doing yourself a big favor if you go.

On the FringeCasting Couch with Live Action Theatre

And this episode of The FringeCasting Couch was recorded lst Tuesday afternoon, during a brief interval between a depressing visit to my doctor's office and the two fitness classes I had to teach that evening; one boxing and one boot camp. This were necessarily verbal-instruction-only editions of said classes for me; doctor's orders. Nothing feels worse.

Anyway, I'm a big fan of Live Action Theatre. Their show in the 2013 Capital Fringe Festival, The Continuing Adventures of John Blade, Super Spy, was my favorite last year. I liked their new one, The Tournament, so much that I'm leaving to see it for a second time right now. Here's the original Fringeworthy post.

I had them on the podcast last year, too.

On the FringeCasting Couch with Twanna A. Hines.

For the fifth consecutive year, I'm running the Washington City Paper's coverage of the Capital Fringe Festival here in DC, manifest mainly through a blog previously known as Fringe & Purge that we decided this year to rename Fringeworthy. In 2012, I started The Fringe & PurgeCast to accompany that blog; its rebranding this summer forced me to rethink the podcast's name, too. The Fringe & PurgeCast is dead; long live The FringeCasiting Couch.

I'm not cross-posting most of the stuff I'm doing for Fringeworthy, but I'm going to put up a couple of recent episodes of the podcast that I thought were particularly fun. This one, which I recorded last night with Twanna A. Hines, whose show is called I Füçkèð Your Country, is one of those. The original post is here.

Quizzed on Pop Culture Happy Hour's 200th episode, live!

Audie Cornish and Linda Holmes compete in the Wonder Woman quiz administered by Glen Weldon, June 24, 2014.

This was my enviable view for most of Pop Culture Happy Hour's special 200th episode live show at NPR headquarters last month. But I did have the honor of briefly ascending the stage to join All Things Considered film critic (and my Washington City Paper colleague) Bob Mondello in absolutely crushing NPR's Tanya Ballard Brown and Petra Mayer in the blockbuster movie IMDB plot keyword quiz conceived by PCHH host Linda Holmes. That's about halfway through the quiz segment of the show, posted today.

The highlight of the show is the Wonder Woman crucible designed by my Pal-for-Life Glen Weldon, against which both Audie Cornish and Linda were tested. Playing from the audience, I actually did relatively well, because I remembered a 13-year-old Hank Stuever story from the Washington Post about when the monthly Wonder Woman comic got its first openly gay writer & artist, Phil Jimenez. I can't find a link to its original WashPo version, but it's reprinted in Hank's book Off Ramp, which I recommend, for whatever that's worth.

Thanks as always to Linda, Glen, and Stephen Thompson for having me on the show.

NPR PCHH #200, part 2 - Quizzes and Q & A

Pop Culture Happy Hour: Edge of Tomorrow and Noble Failures

Emily Blunt & Tom Cruise in Edge of Tomorrow. One of the sharpest summer blockbusters in years didn't open.

The Bruce Willis caper comedy/vanity project Hudson Hawk lost something like $50 million. I loved it in 1991. I love it still.

Writer/producer James Cameron confers with director (and ex-spouse) Kathryn Bigelow on the set of 1995's Strange Days, an ambitious cyberpunk flop.

Frank Langella and Brandon Routh in Bryan Singer's too-gentle, too-emo Superman Returns.

The ambitious but doomed Alien 3, for which Sigourney Weaver was persuaded to shave her head. The making-of documentary Wreckage and Rage from the Alien Quadrilogy Blu-ray set is better than the film itself.

Pop Culture Happy Hour "Edge of Tomorrow" and Noble Failures, June 13, 2014

It's always a thrill to be invited back on Pop Culture Happy Hour. I joined Linda, Stephen, and Glen to talk about Edge of Tomorrow -- the best would-be summer blockbuster yet in a year that's already seen several strong ones -- and noble failures. We agreed on the B topic before Edge of Tomorrow opened to less-than-stellar business, despite near-universal acclaim from critics. I hope we didn't jinx it, because this is exactly the kind of shrewd, fresh, self-aware big movie that seems to be perennially in danger of extinction.

I'd been summoned to PCHH this time at least in part because of my enduring affection for the 1991 caper comedy/Bruce Willis vanity project Hudson Hawk. This is, to my mind, a creatively successful film that also just happened to lose something north of $50 million in 1991 dollars.

I always over-prepare when I'm invited on a podcast. I came in ready to talk about a few other movies big genre films whose reach exceeded their grasp: Kathryn Bigelow's ambitious social sci-fi Strange Days, Bryan Singer's way-emo Superman Returns (to which Man of Steel's shrugging, genocidal violence was, I'm convinced, a direct, and stupid, reaction), and Alien 3, the fascinating, troubled sequel that marked David Fincher's feature debut and that he refuses to talk about to this day. Of those three, only Strange Days was a big money-loser like Hudson Hawk was; the other two did okay but fell short of their aesthetic objectives. 

Anyway, we didn't get to any of those. I'd even jotted down a quote from Roger Ebert's four-star review of Strange Days to read on the air. Having come from a screening of Steve James' wonderful documentary Life Itself -- about Ebert's life, career, illness, and death -- just hours ago as I'm typing this, I'm doubly sorry I didn't get to. We didn't even get to everything I meant to say about Hudson Hawk. Hey, it's a discussion, not a lecture.

I'll correct one of those omissions right here: One of Hudson Hawk's villains, Caesar Mario, is a guy who had a chip on his shoulder because he's the lesser-known brother of a more famous gangster. This character is played by Frank Stallone. That's a good casting joke, there.

Recorded but cut for time was an acknowledgment -- initiated, would you believe, not by me but by my Pal-for-Life Glen -- about Edge of Tomorrow's homages to ALIENS both large and small, from the armored power suits to the gender-neutral division of action-hero labors between stars Tom Cruise and Emily Blunt, to the presence of Bill Paxton, doing a hilarious 180-degree inversion of Private Hudson, his panicked, "Game over, Man!" Marine from ALIENS.

Also cut was my observation that I'm pretty sure this is the first time a live-action summer blockbuster has won the approval of the full PCHH panel in almost four years of this show. The only other one I can remember coming close was J.J. Abrams' Super 8, which only Glen disliked.

In 2011.

Listen above or listen here.

FURTHER READING: I wrote about Edge of Tomorrow and blockbuster fatigue, and about PG-13 vs. R-rated cine-violence, and about how seeing ALIENS on VHS 400 times as a kid set up expectations that the 2012 ALIEN prequel Prometheus could not possibly satisfy.

The Career of Tom Cruise, X-Men, Han Solo, and the Wrath of Cannes. I'm on the Voice Film Club podcast this week.

No File

I had a great time sitting in on this week's Voice Film Club podcast with my Village Voice editor Alan Scherstuhl and L.A. Weekly film critic Amy Nicholson. Alan invited me on to talk about my essay demanding the death of Han Solo, but before we get to that we have a long chat about the perplexing career of Tom Cruise (working off of Amy's marvelous cover story about him) and Amy's review of X-Men: Days of Future Past, which I won't get to see until tonight. You can hear the podcast above or here.

Radio Radio: On Downtown Boxing Club, for Metro Connection

Trainer Dave White

The thermostat at Downtown Boxing Club read 43 degrees -- Fahrenheit -- the Sunday afternoon I spent reporting this story for Metro Connection. It felt strange to be in a boxing gym and not be moving around. I've wanted to go train at this place for years; a couple of the guys I train with off and on have told me good things. Anyway, I'd better get on it: Downtown Boxing Club will have to move this year, for the third time in its 15-year existence.

You can hear the piece here. I was sorry to have to lose the part where trainer Dave White says that to land a punch you have to be quick enough to catch a penny.

Podcast: We Need to Talk About RoboCop (Some More)

Joel Kinnaman and Gary Oldman in RoboCop.

Please don't let the fact that my wonky Skype connection makes me sound like ED-209 stop you from listening to this week's exciting episode of the /Filmcast, wherein I was delighted to be the guest of hosts David Chen and Devindra Hardawar to chew over José Padhila's RoboCop remake. I'm sorry my smart interjections are sometimes hard to hear. I'm grateful my dumb and/or irrelevant interjections are sometimes hard to hear.

I'd also like to apologize to copyeditors and Strunk & White fans everywhere for saying "semicolon" (in RE colon The Raid colon Redemption) when I clearly meant "colon." Because as a beloved writing professor once taught me, when  you mispunctuate, you mis a punc out of u and yeah you know what never mind.

Anyway, please enjoy the podcast. It was a lot of fun. My thanks to Dave and Devindra for having me on.