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Filtering by Category: podcasts
September 17 marked the 50th anniversary of the debut of M*A*S*H, a pioneering TV series that was a little before my time (says the guy who co-hosts a show about an older a much more obscure series) but which has its share of latter-day acolytes. I spoke to a couple of them for my Smithsonian piece about the show’s legacy.
Aaron Taylor-Johnson and Brad Pitt can’t just get along. (Scott Garfield/Sony Pictures)
Bullet Train, director David Leitch’s strangers-on-a-fast-train-fight thriller, is way less diverting and way more confusing than it oughta be. Letich and Chad Stahelski made John Wick together, and Stahelski stayed on for the subsequent Wicks while his old creative partner went off to make Deadpool 2, Atomic Blonde, the hilariously double-ampersand-packin’ Fast & Furious Presents: Hobbs & Shaw, and now Bullet Train. Stahelski is fairing better, I reckon. Anyway, it was fun to talk Bullet Train with Glen Weldon, Aisha Harris, and Mallory Yu.
Our guest Keith Phipps is not just a sterling critic and a dad — an essential component when we cover a movie as openly paternal as 1978’s post-WWII espionage thriller Brass Target . He is also the author of new book examining the career of a singularly idiosyncratic actor. A Degree Absolute! endorses Keith’s book Age of Cage absolutely.
And Brass Target? Well, minute-for-minute, it has the most undiluted Patty McG purity rating of any film we’ve covered save perhaps for Braveheart. It’s much harder to find but worth the hunt for those such as we. Invest in physical media, people.
Brass Target
Screenplay by Alvin Boretz, adapted from Frederick Nolan’s novel The Algonquin Project
Directed by John Hough
Released December 22, 1978
Write to the Citizens Advice Bureau at adegreeabsolute dot gmail!
Leave us a five-star review with your hottest Prisoner take on Apple Podcasts!
Follow @NotaNumberPod!
Our song: "A Degree Absolute!"
Music and Lyrics by Chris Klimek
Arranged by Casey Erin Clark and Jonathan Clark
Vocals and Keyboards by Casey Erin Clark
Guitar, Percussion, Mixing by Jonathan Clark
Bass by Marcus Newstead
Ryan Gosling did a lot of hahaha training for the not-so-colorful thrillerThe Gray Man. (Paul Abell/Netflix)
Look, I cohost a podcast about The Prisoner. When a new international espionage-themed thriller appears with a lead character named Six, I have to pay attention. The Netflick The Gray Man is one of two new releases this month containing what I believe to be a deliberate Prisoner reference. The other one is Marcel, the Shell with Shoes On.
I loved Captain America: Civil War and The Nice Guys and Blade Runner 2049 and Knives Out. I appreciated No Time to Die. I wanted to love, or at least appreciate, The Gray Man. I tried to.
It's More Talk About A-Frames and Holes as we slog dutifully through the back half of The Prisoner's 2009 Jim Caviezel-and-Ian McKellen-starring update. It turns out Chris did review Serenity, the Steven Knight film he referes to 54 minutes into this episode. Read that review if you wish!
Darling, Schizoid and Checkmate
Written by Bill Gallagher
Directed by Nick Hurran
Initial airdate: November 15 & 16, 2009
Leave us a five-star review with your hottest Prisoner take on Apple Podcasts!
Write or send a voicemail to the Citizens Advice Bureau at adegreeabsolute dot gmail!
Follow @NotaNumberPod!
Our song: "A Degree Absolute!"
Music and Lyrics by Chris Klimek
Arranged by Casey Erin Clark and Jonathan Clark
Vocals and Keyboards by Casey Erin Clark
Guitar, Percussion, Mixing by Jonathan Clark
Bass by Marcus Newstead
We’ve got good news and bad news for you, Villagers: After a long sojourn examining Patty McG’s eclectic-not-checkered filmography, we’ve returned to Prisoner content… in the form of the 2009 Jim Caviezel-and-Ian McKellen-starring update. At Glen’s suggestion, we are devoting a mere two episodes to this six-episode series, because inflation. Who’s hungry for a wrap?
Arrival, Harmony, and Anvil
Written by Bill Gallagher
Directed by Nick Hurran
Initial airdate: November 15 & 16, 2009
Leave us a five-star review with your hottest Prisoner take on Apple Podcasts!
Write or send a voicemail to the Citizens Advice Bureau at adegreeabsolute dot gmail!
Follow @NotaNumberPod!
Our song: "A Degree Absolute!"
Music and Lyrics by Chris Klimek
Arranged by Casey Erin Clark and Jonathan Clark
Vocals and Keyboards by Casey Erin Clark
Guitar, Percussion, Mixing by Jonathan Clark
Bass by Marcus Newstead
I don’t always Star Trek, but when I do, I prefer Strange New Worlds! No Starfleet Captain should spend this much time on their hair.
Matty McC meets Patty McG, in the battle you didn’t know you wanted to McSee!
A Time to Kill, the fourth big-studio adaptation of a John Grisham legal thriller to hit theaters in a 37-month period during the first Clinton Administration, is not a great showcase for our man Patty McG. There are just too many high-caliber, high-profile, and high-maintenance players in its stacked cast, and probably too much studio pressure for him to get away with anything weird. (Braveheart, released 14 months earlier, was a long time ago.) Company-man director Joel Schumacher seems to have saved all his creative chits for putting nipples on Batsuits in this era, turning in a serviceable but unshowy piece of work the summer in between Batman Forever and Batman and Robin. He sure does like to spray his actors with baby oil, though.
The good news is that our friend Linda Holmes is back this episode, lending her quadruple-threat expertise as (in increasing order of significance) a Sandra Bullock expert, and Grisham expert, an actual-albeit-no-longer-practicing lawyer, and of course as a world-class critic to our examination of the picture. Join us, won’t you, on this jurisprudent journey back to nineteen-niner-six.
A Time to Kill
Screenplay by Akiva Goldsman, adapted from John Grisham’s novel
Directed by Joel Schumacher
Released July 24, 1996
Write to the Citizens Advice Bureau at adegreeabsolute dot gmail!
Leave us a five-star review with your hottest Prisoner take on Apple Podcasts!
Follow @NotaNumberPod!
Our song: "A Degree Absolute!"
Music and Lyrics by Chris Klimek
Arranged by Casey Erin Clark and Jonathan Clark
Vocals and Keyboards by Casey Erin Clark
Guitar, Percussion, Mixing by Jonathan Clark
Bass by Marcus Newstead
