A Degree Absolute! episode thirty-nine: The Prisoner 2009 (first half) — Arrival, Harmony, & Anvil

We’ve got good news and bad news for you, Villagers: After a long sojourn examining Patty McG’s eclectic-not-checkered filmography, we’ve returned to Prisoner content… in the form of the 2009 Jim Caviezel-and-Ian McKellen-starring update. At Glen’s suggestion, we are devoting a mere two episodes to this six-episode series, because inflation. Who’s hungry for a wrap?

Arrival, Harmony, and Anvil

Written by Bill Gallagher

Directed by Nick Hurran

Initial airdate: November 15 & 16, 2009

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Our song: "A Degree Absolute!"

Music and Lyrics by Chris Klimek

Arranged by Casey Erin Clark and Jonathan Clark

Vocals and Keyboards by Casey Erin Clark

Guitar, Percussion, Mixing by Jonathan Clark

Bass by Marcus Newstead

A Degree Absolute! episode thirty-seven: "Baby, Secret of the Lost Legend" with Jordan Morris

Terrible fonts! Racist tropes! Puppetty brontos! A doomed marriage! A movie that was made for no one! Plus Paddy McG phoning it in with hardly a single trilled R! Listen, and catch the opposite of a fever!

Prolific podmedian & Eisner Award nominee Jordan Morris joins us to carbon-date a seminal document of his dino-loving youth, Baby, Secret of the Lost Legend! Starring Rachel the Replicant, The Greatest American Hero, For He’s a Julian Fellowes, & Patty McG as the heel.

Baby, Secret of the Lost Legend

Screenplay by Clifford and Ellen Green

Directed by B. W. L. Norton

Released March 22, 1985

A Degree Absolute! episode thirty-five: "Kings and Desperate Men"

A movie for McGoohan die-hards that creator Alexis Kanner the Once-Boxed sued the makers of Die Hard over! Paddy McG and Kanner! Squaring off, with a Montreal radio show as their Thunderdome. A film with all the makings of a taut thriller involving hostages, a building wired with explosives, and McG in fine form: Rolling them Rs! Slamming them consonants! Playing drunk! Almost evincing sexual-adjacent desire! Features more overlapping dialogue than if you played Nashville, A Wedding, and McCabe and Mrs. Miller all at once!

A DEGREE ABSOLUTE! episode twenty-nine — Our Top Six Twos

THERE CAN BE ONLY TWO(s) as Chris & Glen rank their top six on this week’s exciting episode!

A DEGREE ABSOLUTE! episode twenty-two — ESCAPE FROM ALCATRAZ

I wish I knew you actually painted this portrait of Patrick McGoohan’s sadistic, unnamed warned, attributed in the 1979 film Escape From Alcatraz to the character of Doc as played by Roberts Blossom.

Maximum Fun? More like maximum security! Maximum Fun podcast network founder and San Francisco native Jesse Thorn joins us this week to tunnel through the crumbling walls of Escape From Alcatraz, the 1979 Clint Eastwood-starring dramatization of the real 1962 prison break, featuring Patty McG as…The Warden. Stunt casting doesn’t get any stuntier, though Glen and I differ on exactly how much The Artist Formerly Known Only as Number Six contributes to the 115-minute picture in his roughly 10 minutes of screen time.

Also, am I the only person on this dang podcast who respects Eastwood as an artist? Sure, I hated his film Richard Jewell, and I said in my 2019 review that the then-89-year-old’s make-a-movie-every-year working tempo may have contributed to the declining quality of his ouvre. But you can’t just dismiss the guy who made Unforgiven and A Perfect World and Bird and so many others, outside of the westerns and cop thrillers and middling airport novel adaptations that his name conjures up.

I never saw The Mule, but I heard he has not one but two threesomes in that movie, which my parents saw at the cheap seniors-only early-afternoon weekday show. That’s reason enough for me to choose anything else from his 45-film, 50-year feature film directing resume next time I feel like clearing up one of my Eastwood blind spots.

A DEGREE ABSOLUTE! episode sixteen — The Girl Who Was Death

Number Six must elude the tender embrace of a lady who probably uses pseudonyms at least as often as he does in a late-in-the-run-but-lavish filler episode that sends up the spy genre circa ’67 & burns plenty of Sir Lew Grade’s money. (He refused to finance a floated 90-minute version.)

Justine Lord and Kenneth Griffiths are your magnificent guest stars, and Patty McG appears to be having a grand old time in the relatively few scenes where he's onscreen. Apparently he was called back to Los Angeles for a few more weeks of shooting on Ice Station Zebra late in 1967, resulting in an episode that relies heavily on doubles, particularly in the location footage shot at the Kursaal Fun Fair at Southend.

"The Girl Who Was Death"

Written by Vincent Feeley from an idea by David Tomblin

Directed by David Tomblin 

Original airdate January 18, 1968

A DEGREE ABSOLUTE! episode nine — Dance of the Dead

It's Carnival in The Village, and Dance of the Dead — an episode that was nearly scuttled on account of Patrick McGoohan's disdain for it (and refusal to shoot at least part of its climactic scene) — offers a fascinating glimpse into The Prisoner's conflicting aesthetic priorities.

Marry Morris, our latest Number Two, is a memorable malefactor whom my podcastin’ pardner Glen admits he’d like to have as his mom. (He also laments the undisciplined nature of her color-coded-or-not telephone system, and goads me into railing against the cosmic obliviousness of umbrella-users.)

You also get a great heel turn by Aubrey Morris, a haunting performance by Alan White as a doomed former colleague of The Prisoner, an oddly flat showing by Norma West as The Prisoner's observer, and some of the most haunting visual imagery of the entire series.