contact us

Use the form on the right to contact us.

You can edit the text in this area, and change where the contact form on the right submits to, by entering edit mode using the modes on the bottom right.​

         

123 Street Avenue, City Town, 99999

(123) 555-6789

email@address.com

 

You can set your address, phone number, email and site description in the settings tab.
Link to read me page with more information.

Adirondack---More-Rides.jpg

Latest Work

search for me

Filtering by Category: podcasts

A Degree Absolute! episode thirty-seven: "Baby, Secret of the Lost Legend" with Jordan Morris

Chris Klimek

Terrible fonts! Racist tropes! Puppetty brontos! A doomed marriage! A movie that was made for no one! Plus Paddy McG phoning it in with hardly a single trilled R! Listen, and catch the opposite of a fever!

Prolific podmedian & Eisner Award nominee Jordan Morris joins us to carbon-date a seminal document of his dino-loving youth, Baby, Secret of the Lost Legend! Starring Rachel the Replicant, The Greatest American Hero, For He’s a Julian Fellowes, & Patty McG as the heel.

Baby, Secret of the Lost Legend

Screenplay by Clifford and Ellen Green

Directed by B. W. L. Norton

Released March 22, 1985

A Degree Absolute! episode thirty-six: "All Night Long" with Casey Erin Clark

Chris Klimek

MOOR COWBELL! Slip into your cardigan, roll yourself a jazz cigarette, and prepare to savor one of Patty McG's most sinister heel turns as our lovely theme-song singer Casey Erin Clark joins us to deconstruct All Night Long, director Basil Dearden's 1962 adaptation of Othello set in the London jazz scene. PLUS! Casey draws upon her expertise as a voice coach and musician to examine several of McGoohan's most distinctive vocal performances, and presents her findings to the court.

All Night Long

Screenplay by Neil King and Paul Jarraco

Directed by Basil Dearden

Released February 6, 1962

Pop Culture Happy Hour: Going Back to "Titanic"

Chris Klimek

The great Aisha Harris hosted this conversation wherein I had the good fortune once again to join my old pal Linda Holmes and my new pal Roxana Hadadi. I had a whole digression when we recorded about The Abyss, James Cameron’s first seafaring disaster romance, released only eight years before Titanic, and from which Titanic derives a lot of its technique and one or two of its sinking-ship set pieces.

Titanic was not a film anyone other than Cameron was pushing to make when he pitched it to Fox Chairman Bill Mechanic in early 1995. (He wanted a movie studio to pay for his dives to the wreckage, which constitute the first footage he shot for this movie.) It’s not a film where Fox would have simply hired another director to make it had Cameron acceded to the prevailing wisdom and decided to focus his energies on anything else. Cameron is also the person who cast Leonardo DiCaprio and Kate Winslet, so the movie is a Cameron project from whatever the shipbuilding equivalent of “soup to nuts” would be. I think it makes sense to foreground Cameron in any discussion of it. Try to imagine Christopher Nolan making a movie now that adolescent girls embraced and returned to again and again. That’s what happened in in the last two weeks of 1997 and the first quarter of ‘98, when the gearhead writer/director of the first two Terminator films, and Aliens, and True Lies, and yes, The Abyss, turned in a romantic tragedy where in the big boat doesn’t hit the iceberg until an hour a forty minutes into the movie.

Pop Culture Happy Hour: "The Northman"

Chris Klimek

Alexander Skarsgård wears all-natural fibers in Robert Eggers divisive new VIking epic.

I was glad to join my old pal Glen Weldon and my new pal Kristen Meinzer for a lively debate vis-a-vis the mertis and demerits of Robert Eggers’s new VIking movie The Northman, but my key takeaway listening back to this is that 30 years ago Conan O’Brien was trying to get us to say Cone-ehhn, not Cone-anne. Today the ghost of Robert E. Howard would like for us all to remember that his barbarian is called Cone-anne.

None of us remembered this.

A Degree Absolute! episode thirty-five: "Kings and Desperate Men"

Chris Klimek

A movie for McGoohan die-hards that creator Alexis Kanner the Once-Boxed sued the makers of Die Hard over! Paddy McG and Kanner! Squaring off, with a Montreal radio show as their Thunderdome. A film with all the makings of a taut thriller involving hostages, a building wired with explosives, and McG in fine form: Rolling them Rs! Slamming them consonants! Playing drunk! Almost evincing sexual-adjacent desire! Features more overlapping dialogue than if you played Nashville, A Wedding, and McCabe and Mrs. Miller all at once!

A Degree Absolute! episode thirty-four — THE MOONSHINE WAR

Chris Klimek

Patty McG's first major project after The Prisoner wrapped up in early 1968 was The Moonshine War, for Sex and the Single Girl director (and title-song lyricist!) Richard Quine. Quine did not pen this film's remarkably concise and descriptive title song, "The Ballad of Moonshine," leaving that to Hank Williams, Jr.

The great crime writer Elmore Leonard adapted the screenplay of The Moonshine War from his own 1969 novel. No one will argue it's on the level of later, adapted-by-other-screenwriters Leonard translations like Get Shorty, Jackie Brown, Out of Sight, or the TV series Justified, but the seeds are here. 

Also here: Richard Widmark! A pre-M.A.S.H. Alan Alda! A pre-fame Teri Garr and a pre-billing Tom Skerritt! A pre-The Waltons Will Geer! Lee Hazlewood of Lee Hazlewood Industries as gun thug Dual Metters! Plus the Patty McG bedroom scene you've been dreading.

Here's the condescending and phony behind-the-scenes featurette we discuss on the episode.

The Moonshine War

Screenplay by Elmore Leonard, from his novel

Directed by Richard Quine

Released July 1970

Write to the Citizens Advice Bureau at adegreeabsolute dot gmail!

Leave us a five-star review with your hottest Prisoner take on Apple Podcasts!

Follow @NotaNumberPod!

Our song: "A Degree Absolute!"

Music and Lyrics by Chris Klimek

Arranged by Casey Erin Clark and Jonathan Clark

Vocals and Keyboards by Casey Erin Clark

Guitar, Percussion, Mixing by Jonathan Clark

Bass by Marcus Newstead

 

A Degree Absolute! episode thirty-three — "THE THREE LIVES OF THOMASINA" with Josh Spiegel

Chris Klimek

Does Mister-not-Doctor Andrew MacDuhui (Paddy McG) hate pets? (He does not, no matter what his low-information neighbors in the fictional Scottish town of Inverinoch think.)

Did Walt Disney hate cats? (Our very special guest Disney expert, Josh Spiegel, makes a compelling case.)

Were animals harmed during the making of this motion picture? (Most certainly, regrettably.)

Our principled stand against pandering to the Internet's insatiable appetite for cat content crumbles as we pad, paw, 'n' claw our merryish way through...

The Three Lives of Thomasina

Written by Robert Westerby, from Paul Gallico's novel Thomasina, the Cat Who Thought She Was God

Directed by Don Chaffey

Released December 11, 1963