It's been a few years since I was way out of my depth trying to write about "visual art" -- by which I mean stuff that hangs on walls, that is, not cinema -- but reviewing the documentary Llyn Foulkes: One Man Band for The Dissolve brought me right back. I enjoyed the visit.
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So I ended up with a few more hundred words of real estate in which to unpack what I consider be the very earnest and honorable Hampton Years' very earnest and honorable shortcomings. And also the rather less honorable shortcoming of my published review, wherein I reported that the artist Elizabeth Catlett, a character in The Hampton Years, is still alive. In fact, Ms. Catlett died last year. I apologize for my stupid, sloppy error.