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Filtering by Tag: Paul Mescal
Jesse Buckley (center) would like to thank the Academy in advance. (Agata Grzybowska / Focus Features)
I hope I’m not being obstinate in my Washington City Paper review of Hamnet, Chloé Zhao’s lyrical adaptation of Maggie O’Farrell’s 2020 novel. I first read about the brief life of Hamnet Shakespeare in an issue of The Sandman by Neil Gaiman and Charles Vess, published in 1990, decades before Gaiman was unmasked as a predator.
Pedro Pascal and Paul Mescal get down to it. (Paramount)
“Gladiator was the one where Ridley Scott revived the sword-and-sandals genre that had been dormant for decades while also managing to suggest that our addiction to spectacle—one he himself had then been nurturing for 20 years—might not be altogether healthy, for individuals or democracies.
“Gladiator II is the one where he throws in a CGI shark. “
My Washington City Paper of the unlikely 24.5-years-later sequel is here.
Andrew Scott and Paul Mescal venture out into the world. (Parisa Taghizadeh/Searchlight Pictures)
I didn’t get to see Andrew Haigh’s All of Us Strangers at a festival or an advance screening last year, so I’m calling it the first great movie of 2024. My Washington City Paper review is here.
