Our Pop Culture Happy Hour dissection of Quentin Tarantino's ninth picture gave me the opportunity to be on a panel with Monica Castillo, a fellow Eugene O'Neill National Critics Institute fellow and someone with whom I'd not previously had the pleasure of speaking, though we have friends and colleagues in common. A fun episode. After some deliberation, we elected to avoid any in-depth discussion of the ending of the film.
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The Bruin—the Westwood cinema where Margot Robbie (as Sharon Tate) goes to see herself in the Dean Martin-starring spy spoof The Wrecking Crew midway through Quentin Tarantino's new Once Upon a Time... in Hollywood—is where I saw Ocean's 11 (the Soderbergh-Clooney-Pitt one, not the the Dean Martin one) in 2001 and Terminator 3: Rise of the Machines in 2003. I must've seen at least a few other movies there, but those are the two I remember.
I like QT's new picture a whole lot. My NPR review awaits you.
I was genuinely curious about Suicide Squad, because I admire many of writer-director David Ayer's films, and because I like the sturdy bad-guys-on-a-dangerous-mission premise in general. (I finally saw William Friedkin's 1977 thriller Sorcerer a few months ago, and I loved it.) But Suicide Squad is at least as awful as Batman v Superman: Dawn of Justice, and probably would've been lousy even if a panicked studio hadn't commissioned an edit from a company that specializes in trailers. Anyway, I performed an autopsy for NPR.
While can't endorse the movie, I strongly endorse my friend Neda Ulaby's All Things Considered piece about Kim Yale, who co-wrote many issues of the late-80s Suicide Squad comic with her husband, John Ostrander. He gets shouted out in the movie in the form of a sign for the "John F. Ostrander Federal Building," but Yale does not. I'm glad Neda stepped in to correct the record.