A Horse of a Different Color: Between Riverside and Crazy and Equus, reviewed.
Chris Klimek
Frankie R. Faison, Emily K. Townley, and David Bishins in Between Riverside and Crazy. (Allie Dearie/Studio Theatre)
Among my other inspired headline ideas was the immortal "Race, Horse." Washington City Paper editor-in-chief Steve Cavendish came up with the winning entry: "Crime Doesn't Neigh." Bravo, Steve. Herewith, my reviews of Studio's Between Riverside and Crazy, the 2015 Pulitzer winner from Stephen Adly Guirgis, and Constellation's new production of Peter Shaffer's Equus.