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Filtering by Tag: Anne Hathaway

(More) Bitch, Please: "The Devil Wears Prada 2," reviewed.

Chris Klimek

Stanley Tucci and Anne Hathaway quarrel on threads.

For a much later follow-up of the type that has recently become somewhat common, The Devil Wears Prada 2 is more reminiscent of the comedy sequel model of the 1980s: Simply remake the first film after an interval of no less than 18 months or more than five years, reprising every beat and every gag. From its episodic plot to its shrugging title, DWP2 has big ‘Beverly Hills Cop II’ /Crocodile Dundee II’ / ‘Ghostbusters II’ energy. And because this is a glossy Hollywood movie about characters who fully expect to be judged on their appearance, the principal cast members don’t even look much older than they did in 2006. It’s strange.

My Washington CIty Paper review of The Devil Wears Prada 2 is here.

The Torturned Seamstresses Department: "Mother Mary," reviewed.

Chris Klimek

Michaela Coel is working with phantom thread in Mother Mary. (Frederic Batier / A24)

It wouldn’t be right to say Coel acts rings around Hathaway in the title role, but their dynamic certainly leaves no question about which performer’s career is on the ascent. Coel is just as compelling holding her own against Ian McKellen in “The Christophers,” a contemporaneous release where she plays a similar part: an assistant/creative partner to an artist who has fallen on hard times. But “Mother Mary” reverses the polarity of that film: Here, she’s the one who gets most of the big speeches, while Hathaway’s performance consists largely of nonverbal reactions and then line readings choked out through tears. She’s always been one of cinema’s great cryers.

My Washington City Paper review of David Lowery’s Mother Mary is here.

Raging at the Sea: "Serenity," reviewed.

Chris Klimek

“Remember when we were in Interstellar together? That movie was underrated.”

“Remember when we were in Interstellar together? That movie was underrated.”

Serenity is a soapy, dopey thriller from Steven Knight, who's made some very good ones. Nolanesque ambition, Shyamalanesque skill. With Matthew McConaughey as Baker Dill, a fisherman/tour guide/gigolo who lives in a shipping container and dreams of tuna. Here’s my review.