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Filtering by Tag: The Keegan Theatre
Fabiolla Da Silva plays an underappreciated lexicographer.
I'm not here to, um, gripe about the fact the Paper of Record kept my repetitions of the contested word in my review of Keegan’s Webster's BItch to a mere half-dozen. Intriguing play about the protean nature of language, managerial gaslighting, and the versatility of the b-word.
Jelly's Last Jam, a celebrated but rarely-revived musical biography of seminal jazz artist Jelly Roll Morton.
My reviews of Signature Theatre's new production of George C. Wolfe and Susan Brikenhead's early-90s Jelly Roll Morton bio-musical Jelly's Last Jam, and Keegan Theatre's production of Martin McDonagh's late-90s black comedy The Lonesome West, are in today's Washington City Paper. Notice is served.
Brianna Letourneau and Scott Ward Abernethy in Keegan Theatre's The Magic Tree.
In this week's Washington City Paper, available wherever Washington's free alt-weekly is sold, I review the well-performed Keegan Theatre production of Ursula Rani Sarma's perplexing The Magic Tree, plus Molotov Theatre's Lovecraft: Nightmare Suite, adapted from a half-dozen short stories by the celebrated author of chillers, Hey Probably Lovecraft.
I quite liked Keegan Theatre's production of Susan Hill and Stephen Mallatratt's ghost story The Woman in Black. No arts section in this week's City Paper, so my review is web-only.
Ubiquitous director Jeremy Skidmore's tenacious production of A Few Good Men, the play that gave us Aaaron Sorkin, cuts a dashing figure in its dress whites. Reviewed in this week's Washington City Paper, available wherever finer alt-weeklies are given away for free.
The Broadway cast of A Behanding in Spokane in 2010: Christopher Walken, Sam Rockwell, Zoe Kazan, Anthony Mackie.
In this week's Washington City Paper, I review the local premiere of Martin McDonagh's A Behanding in Spokane and reminisce uncomfortably about the show's 2010 Broadway debut, which I saw twice on my way to the realization that I don't like the play very much. I also review Studio Theatre's terrific production of Amy Herzog's sublime 4,000 Miles.
