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Filtering by Tag: The Washington Post
Jillian Ebanks, Breon Arzell, Max Thomas, Tamieka Chavis, and Arlietta Hall. (Teresa Castracane)
The Second City’s first show at Woolly Mammoth, Barack Stars, from those heady first months of the Obama Administration, was the subject of one of my first reviews for the Washington City Paper. My Washington Post review of their latest, offered in more dire times, is here.
Isabel Van Natta and Karan Brar in the tech thriller Data. (T. Charles Erickson Photography)
Imagine, if your capacity for speculative, blue-sky doomsday pessimism can possibly conceive of such a scenario, the union of a morally flexible tech oligarch and a U.S. government hostile to immigration and intolerant of dissent.
My Washington Post review of Data, playwright Matthew Libby’s world-premiere thriller at Arena Stage, is here.
Robin Wright and Tom Hanks get decades shaved off by an A.I. tool called Metaphysic Live in Here. (Sony)
On Here, the reunion of Forrest Gump principals, for the Paper of Record.
Lots here about Bob Zemeckis’s obsession with still-janky digital de-aging tech. Spike Lee’s 2020 war-vet drama Da Five Bloods achieved more stirring results by making no attempt to hide its 60-something-year-old cast members’ ages in the flashback scenes set during their combat tours in Vietnam half a century prior.
I’m rooting for Zemeckis. Flight is great. I liked Allied, his 2016 WWII espionage thriller that no one saw, too.
Cole Taylor and Caro Reyes Rivera as those star-cross’d young lovers. (Erika Nizborski)
You know that game where you try to think of old movies or plays where the introduction of cell phones would spoil the plot? Romeo and Juliet has always seemed like an obvious one, but Raymond O. Caldwell, director of the Folger’s season-opening update of the tragedy, begs to differ. My Washington Post review is here.
Tony Award winner John Rubinstein in Eisenhower: This Piece of Ground. (Maria Baranova)
My joint review of Ford’s Scott Bakula-starring production of Mister Lincoln, and of Olney’s show about the president elected four score and seven years after his assassination, Eisenhower: This Piece of Ground, is up at the Paper of Record.
Nicole Ruthmarie and Charles Franklin IV in Spooky Action’s Cracking Zeus. (DJ Corey Photography)
Greek myth and anti-drug messaging collide in Cracking Zeus, a new(ish) play by Christopher T. Hampton that has some intriguing ideas but doesn’t fully cohere in Spooky Action’s production despite several strong perfomrances. My Washington Post review is here.
Brad Pitt and George Clooney play a pair of lone Wolfs (sic). (Apple TV+)
Eighteen years after my debut as a Washington Post contributor, my debut was a WaPo film critic comes with a fun piece on Wolfs, the pluralization-punking reunion of lions-in-winter George and Brad.
In space, no can hear your scream at your A.D.
No film franchise has had a more accomplished class of filmmakers explode from its womb than the ALIEN-iad. Extraterrestrial, extraterrestrial, read all about it in the Paper of Record.
