Enhanced Interrogation: 4,380 Nights, reviewed.
Chris Klimek
Annalisa Dias's world premiere Gitmo detainee drama 4,380 Nights is a strong offering in the Womens' Voices Theatre Festival. My review is in this week's Washington City Paper.
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Filtering by Tag: Rex Daugherty
Annalisa Dias's world premiere Gitmo detainee drama 4,380 Nights is a strong offering in the Womens' Voices Theatre Festival. My review is in this week's Washington City Paper.
In today's Washington City Paper, I review two new plays being staged in unusual environments. The Welders' Transmission, by playwright/performer Gwydion Suilebhan, is a thoughtful meditation on the hazards of storytelling, while Deirdre Kinahan's Wild Sky is a human-scale look back at a pivotal moment in Ireland's struggle for self-governance. It's also the first show from Solas Nua in five years. I'm glad they're back.
The flood of new words from me posting today and tomorrow includes this Washington City Paper feature on DC Dead, Rex Daugherty and Vaughn Irving's "zombie survival experience" set in the former Fort Fringe at 607 New York Ave. NW, and likely, if not certain, to be that storied old wreck's final show now that the Capital Fringe Festival has officially moved a mile and change east, to the H Street NE corridor.
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