Enhanced Interrogation: 4,380 Nights, reviewed.
Chris Klimek
Annalisa Dias's world premiere Gitmo detainee drama 4,380 Nights is a strong offering in the Womens' Voices Theatre Festival. My review is in this week's Washington City Paper.
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Filtering by Tag: Lynette Rathnam
Annalisa Dias's world premiere Gitmo detainee drama 4,380 Nights is a strong offering in the Womens' Voices Theatre Festival. My review is in this week's Washington City Paper.
Directors have reckoned with the misogyny of The Taming of the Shrew in many ways. Ed Sylvanus Iskandar's fix — cast only men, and let the female characters express themselves via covers of old songs from Duncan Sheik, a man — is at least, and most, strange. I review Iskandar's perplexing boys-only Shakespeare Theatre Company Shrew in today's Washington City Paper.
Also reviewed: Mosaic Theatre of DC's When January Feels Like Summer, a shaky play featuring a rock-steady cast. Jeremy Keith Hunter apparently had a small role in Studio Theatre's Chimerica, a show I loved last year, but I don't remember him from that. He's brilliant in January, though.