Strange We Can Believe In: The Totalitarians and Kwaidan, reviewed.
Chris Klimek
Two towering comic performances make Robert O’Hara’s “rolling world premiere” production a must-see: Emily Townley’s, plusDawn Ursula’s as Francine Jefferson, a campaign manager who sees Townley’s Penelope as an obedient blank canvas on which she can paint her ticket out of Nebraska. The piece opens with Francine rolling around in bed in her underwear, oblivious to her simpering husband’s pleas for sex as she tries to come up with an indelible three-word campaign slogan. “Freedom From Fear” is the pithy nothing she lands on. Or, since nobody has time for that mouthful: “Fuh Fuh Fuh.” (It’s the economy of phrasing, stupid.)Read More