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Filtering by Tag: Jacob Yeh

The Hard Sells: Back to Methuselah, Part 2 and Kid Victory, reviewed.

Chris Klimek

Jake Winn and Jeffry Denman are prey & predator in Kid Victory (Margot Schulman/Signature).

Jake Winn and Jeffry Denman are prey & predator in Kid Victory (Margot Schulman/Signature).

In today's snow-day edition of the Washington City Paper, I review the second installment in Washington Stage Guild's three-part, three-year presentation of George Bernard Shaw's Back to Methuselah and of the world-premiere John Kander-Greg Pierce musical Kid Victory. Around Town videos wherein Robert Aubry Davis, Jane Horwitz, the gigantic lapels of my shirt, and I dissect these differently taxing shows are here and here.

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categories theatre
tags play reivews, Signature Theatre, Washington Stage Guild, Washington City Paper, George Bernard Shaw, John Kander, Greg Pierce, Liesl Tommy, Jake Winn, Jeffry Denman, Christiane Noll, Conrad Feininger, Jacob Yeh, Bill Largess, Jane Horwtiz, Robert Aubry Davis, WETA Around Town

Strange We Can Believe In: The Totalitarians and Kwaidan, reviewed.

Chris Klimek

Two towering comic performances make Robert O’Hara’s “rolling world premiere” production a must-see: Emily Townley’s, plusDawn Ursula’s as Francine Jefferson, a campaign manager who sees Townley’s Penelope as an obedient blank canvas on which she can paint her ticket out of Nebraska. The piece opens with Francine rolling around in bed in her underwear, oblivious to her simpering husband’s pleas for sex as she tries to come up with an indelible three-word campaign slogan. “Freedom From Fear” is the pithy nothing she lands on. Or, since nobody has time for that mouthful: “Fuh Fuh Fuh.” (It’s the economy of phrasing, stupid.)
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categories theatre
tags play reviews, Peter Sinn Nachtrieb, Emily Townley, Dawn Ursula, Woolly Mammoth Theatre Company, Washington City Paper, Spooky Action Theater, Lafcadio Hearn, Izumi Ashizawa, Jennifer Knight, Phillip Chang, Jacob Yeh