Signature's "Private Jones," reviewed.
Chris Klimek
Signature's world-premiere musical Private Jones had me pondering (again) François Truffaut's claim that a war film can't be antiwar. Reviewed for the Washington Post.
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Filtering by Tag: Erin Weaver
Signature's world-premiere musical Private Jones had me pondering (again) François Truffaut's claim that a war film can't be antiwar. Reviewed for the Washington Post.
Given that Aaron Posner's 2009 production of Tom Stoppard's Arcadia at the Folger Theatre, starring Holly Twyford and Erin Weaver (and Cody Nickell and Eric Hissom) remains one of my favorite theatrical experiences, it's a cinch I'd be susceptible to Posner's reteaming with Twyford and Weaver in Or, Liz Duffy Adams' erudite farce about seminal British playwright Aphra Behn. Here's my Washington City Paper review.
I spent a midwinter day and evening taking in two, two, two big productions of A Midsummer Night's Dream, from WSC Avant Bard and the Folger Theatre. I reviewed the experience for this week's unusually me-heavy Washington City Paper.