The Conscience of a Coder: "Data," reviewed.
Chris Klimek
Isabel Van Natta and Karan Brar in the tech thriller Data. (T. Charles Erickson Photography)
Imagine, if your capacity for speculative, blue-sky doomsday pessimism can possibly conceive of such a scenario, the union of a morally flexible tech oligarch and a U.S. government hostile to immigration and intolerant of dissent.
My Washington Post review of Data, playwright Matthew Libby’s world-premiere thriller at Arena Stage, is here.