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Filtering by Category: music

(Invasion) Hit Parade: Elvis Costello at Lisner Auditorium, annotated.

Chris Klimek

Elvis Costello at Lisner Auditorium, Friday, Nov. 22, 2013. (Francis Chung for DCist)

Elvis Costello at Lisner Auditorium, Friday, Nov. 22, 2013. (Francis Chung for DCist)

Has it really been more than two years since I last saw Elvis Costello play and felt compelled to write footnotes, basically, on all the curiosities in the set? The calendar does not lie. I've seen Costello perform probably 20 times since 1999, but I'd never seen him do a headlining solo set, as he did Friday night at Lisner Auditorium.

Because no one demanded it, I posted some notes over at DCist, where it's been so long that I don't even have my own login anymore. The post features great photos by Francis Chung, who took the one above. For an overview of the concert, the great and good Dave McKenna captured it well in his Washington Post review.

Where Do I Start with Lou Reed?

Chris Klimek

Lou Reed was one the greatest American artists in any medium. Slate invited me to compile a playlist of 10 of his post-Velvet Underground songs as way for newcomers to sample his 40-year solo catalog. I was honored. You can read that here

When Rolling Stone reported Lou's death at the age of 71 yesterday morning -- it's not like I knew him personally, but something about his songwriting, especially on The Blue Mask album from 1982 and everything afterward, makes me feel first-name intimacy with him -- I started tweeting my recollections as a longtime admirer. I was introduced to his work and his wry worldview by New York in 1989. I heard the single, "Dirty Blvd.," on the radio, and I got the CD from the Columbia House mail-order club.

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Playlist: More Songs About Buildings and Farewells, or Requiem for Washington City Paper Headquarters

Chris Klimek

Why yes, I am pretty goddamn pleased with the party mix I cooked up, at the invitation of managing editor Jon Fischer, for the Washington City Paper's farewell-to-their-building party on Friday night. Some local pandering, some classic funk, a few reluctant sops to the 21st century. Something for everyone! Who is me or reasonably similar!

FULL DISCLOSURE: I am a heterosexual white male in my mid-thirties.

"Full Disclosure," Fugazi, from The Argument, 2001. Track 24.

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Sound as Fury: Nick Cave and the Bad Seeds at the Music Center at Strathmore

Chris Klimek

Reviewed for DCist, just like I used to do. I dug the show, but the really memorable part of the evening was the sad but soul-nourishing conversation I had with the great and good Dave McKenna (who was there in house right Row J next to me, reviewing for the Post, like I also used to do) afterwards.

Dave was kind enough to give me a lift home after the show. We talked about how bad things have gotten for anyone trying to earn a living from writing. "Next time we'll talk boxing," he promised.

On the radio with Andy Cirzan!

Chris Klimek

On Friday I had the honor of doing 35 minutes of live radio with Andy Cirzan, the great archeologist of obscure holiday records who provided much of the inspiration for my own Yule-Tunes Eclectic and Inexplicable series. (I interviewed Andy a month ago for an essay about my mixtape project that ran in the Washington Post just after Thanksgiving.)

Anyway, Minnesota Public Radio's The Daily Circuit invited us both on to talk about our mixtapes and recommend some yulejams that haven't been played to death. I was afraid no one would be in the mood for this silliness when I realized our segment would follow an hour of reaction to the NRA's spectacularly tone-deaf press conference about the Newton, Conn. school shootings, which the station had carried live a little over an hour before we went on. But I thought the segment turned out well. I had a great time.

You can listen to the whole segment here.  Should it happen to pique your curiosity, my 2009-2012 yulemixes are on the Christmas Mixtapes page of this site. Finally, you can grab Andy's 2012 mixtape, Santa Soul, from Sound Opinions.

Happy holidays, everybody!

Yulemix 2012, Drop'd! It's time to Stay Hungry to Feed the World

Chris Klimek

I don't have a Christmas tree in my apartment yet. My friends haven't seen me in weeks. My editors are all ready to fire me. I've been avoiding mirrors, but I assume I look like Ted Kaczynski.

It's all for a noble cause: Every November & early December I fall into a four-to-six week time warp attempting to create the funniest and most reverent, most entertaining and most beguiling Christmas mixtape possible. (You may have read the essay I wrote about this project recently in the Washington Post. If you haven't, please do.)

It is my great pleasure to unveil now for your hall-decking enjoyment entry No. 007 in my  Yuletunes Eclectic & Inexplicable series. Ladies and Gentlemen, I give you the future of Christmas merry-making enforcement, Stay Hungry to Feed the World.  In keeping with the perpetually inflating ethos of this project, it's the longest one yet. When it comes to Christmas, less is less. And more? Is just the most.

PLEASE NOTE: These are large files; each side is a little more than an hour long and they're encoded at high bitrates. It may take a minute or two after you click the play button for you to hear anything, but have faith.

Side A

I can't tell you how thrilled I was to learn one of my boyhood heroes -- seven-time Mr. Olympia, five-time Mr. Universe, living tissue-over-a-microprocessor-controlled-hyperalloy-combat chassis former California Governor Arnold Schwarzenegger -- was available and willing to serve as master of ceremonies for this year's yulmemix.

I don't like to brag, but Arnold and I have been friends for years, ever since he brought me in to do an emergency script polish on his 2001 action thriller Collateral Damage. NOW IT CAN BE TOLD.

Look, I don't need you to tell me that Collateral Damage, as released, is no Predator, or even -- let's be honest -- Raw Deal. All I can tell you is you should've seen the Ambien-shooter of a script they were going to make before I got there. It would've made Terrence Malick's The Tree of Life seem like, I dunno, Taylor Hackford's Proof of Life. (Full disclosure: I have never actually watched a film in its entirety that did not star Arnold Schwarzenegger.)

Anyway, Schwarz -- that's what his good friends call him -- and I got to be very close. We used to tease one another: "How much did you squat this morning?" And the answer was always, "How much did you squat?" Invariably the other person would reply, "I asked you first!" And then we'd both be like, "Let's both say it at the same time -- JINX!" And then we'd laugh until we wept.

I have fond memories of those long, languid Sunday afternoons when we'd ride our Harleys up the Pacific Coast Highway to Neptune's Net. Sometimes just for a laugh Schwarz would strip naked in the parking lot, then saunter into the bar, face down the 200-odd bikers inside, and announce, "I need your clothes, your boots, and your motorcycle." And these tatted-up lifers would just be trampling one another to give him the keys to their hogs. I swear that Schwarz could never get one of these guys to fight him. He used to get really frustrated by that. I'd do my best to cheer him up: "Hey Schwarz, don't let it get you down man, you were Mr. Olympia for like 15 years. And we'll always have Collateral Damage." Except we didn't, really, not in the end. Hey, Andrew Davis had made The Fugitive. How were we supposed to know he would phone this one in?

But I digress. Schwarz was a big part of the success of my 2007 yulemix, Santa's Got a Big Old Bagge, so I was thrilled to offer him an expanded role here. The Austrian Oak favors us with his recollections and musings on success throughout the album. In celebration of his return, I have reprised a handful of songs from five years ago, but they only add up to about 11 minutes out of 130. When Rhett Miller very gamely agreed to sit for an interview about writing Christmas songs, how I could not play "Here It Is, Christmastime," the Old 97's (sic) yulejam that I first used upon its release in 2007?

Side B

LANGUAGE ADVISORY: This set has some. Lots, actually! Poetry and prose. But there're also a few stray F-bombs bandied about. Parental whatever whatevered.

Total Recall, Schwarz's revelation-packed autobiography, is in stores now.

NOW PLAY THIS CHRISTMAS LOUD! I command it! These halls ain't gonna deck themselves!

Andy Cirzan sent me his yulemix!

Chris Klimek

Cirzan-2012-front-cover.jpg

I'm so honored and excited I'm sweating. Yes, it's 70 degrees and muggy here in DC this December 4th, but it isn't the climate that has me -- svichting? Swatching? Whatever. It's the fact that Andy Cirzan, my yulemix-making senpai, sent me his 2012 Christmas mix CD.

When it comes to holiday mixtapes, I am a mere padawan to Cirzan's wizened Jedi master, dispensing ancient wisdom via oddly structured sentences he splashes around the swamps of Degobah. (He's from Chicago, actually.) As you may recall if you happened to read my recent Washington Post essay about my yulemix, the seventh installment of which shall drop forthwith, Cirzan has been issuing compilations of obscure and often inexplicable seasonal gems for more than 20 years.

Sound Opinions, the great WBEZ radio show and podcast that introduced me to Cirzan's noble work will -- if custom holds -- be posting his 2012 mix for free download later this month, so I won't spoil any of his selections. I will note with not a little pride, however, that two of the cuts on Cirzan's mix this year were already on my draft playlist for my 2012 mix before his collection got here today. Great minds obsess alike, or something. As always, there're some things on Cirzan's collection I've never heard before, and that I may yet steal for 2012.

Thanks, Andy.

There Is No Dignified Way to say "Christmas Unicorn": Sufjan Stevens at the 9:30 Club

Chris Klimek

My review of Sufjan Stevens' "Christmess Sing-a-Long" -- or to use its full, formal designation, the Surfjohn Stevens Christmas Sing-A-Long: Seasonal Affective Disorder Yuletide Disaster Pageant on Ice -- at the 9:30 Club Saturday night appears  in today's Washington Post.

I'm a big admirer of Stevens' giddy, reverent, odd Christmas EPs, installments 6-10 of which have just been released in the Silver & Gold boxed set. I tried to talk to him for my yulemix essay that ran in the paper yesterday. I've used some of his songs on the mix every year. Alas, his label told me he isn't giving interviews. Humbug.