"Poor Things," rich text
Chris Klimek
My Washington City Paper review of Yorgos Lanthimos’s Poor Things, one of 2023’s most rewarding films, is here.
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Filtering by Category: movies
My Washington City Paper review of Yorgos Lanthimos’s Poor Things, one of 2023’s most rewarding films, is here.
Sir Ridley Scott, the tireless 85-year-old director of two sci-fi landmarks, a classic feminist road movie, one Best Picture-winning epic and a lot of other stuff, has notched another middling megaproduction with Napoleon. My Washington City Paper review is here.
My Washington City Paper review of The Exorcist: Believer, yet another unworthy sequel to one of the great horror films, is here.
My Washington City Paper review of The Creator — Monsters, Godzilla, and Rogue One: A Star Wars Story director Gareth Edwards’ new sci-fi epic — is here.
There’re few things I love more than to immerse myself in he richly-imagined world of a movie, but even I can see that popcorn flicks, in particular, have hulked out to dangerous dimensions. I noted this alarming trend on the occasion of Avengers: Endgame in 2019 and again back in May when Martin Scorsese’s 3.5-hour adaptation of David Grann’s nonfiction true-crime epic Killers of the Flower Moon debuted at the Cannes Film Festival. Weekend Edition Sunday host Ayesha Roscoe had me and my pal Bob Mondello on to refute, which great respect, her assertion that movies are too long. According to Bob, what was originally slated for a four-minute time slot was allowed to strech out to a luxurious 7:15, which seems fitting.
My Washington City Paper review of the Dracula… mid-quel. I guess? … The Last Voyage of the Demeter is here.
it’s an honor and a privilege to dissect the latest entry in my favorite film franchise with Linda Holmes, Wailin Wong, and Roxanna Hadadi on today’s Pop Culture Happy Hour. My estimation of the film grew when I saw it a second time after we recorded this, but it’s an accurate reflection of my somewhat perplexed initial response.
I did a big reversal on latest impossible Mission in the interim in between when we recorded the forthcoming Pop Culture Happy Hour episode on it and when I saw the film again and wrote my Washington City Paper review. That’s why the latter is more effusive than the former. Sometimes that happens!