Post-Racial? Not Really. Woolly Mammoth's "Ain't No Mo'," reviewed for WCP
Chris Klimek
Shannon Matesky, Brandi Porter, Shannon Dorsey, and Breon Arzell in Jordan E. Cooper’s post-”post racial” satire. (DJ Corey/Woolly Mammoth)
“I quote [director Lil-Anne Brown] to acknowledge that, as a White person born during the Carter administration, I am by no means the primary audience for this, and that my modest critique must and shall be taken with a grain (or possibly a mine) of salt. For what it’s worth: I liked the show a lot. Cooper is a visionary writer, equal parts Jordan Peele and Tony Kushner.” That’s me on Jordan E. Cooper’s Broadway-bound satire Ain’t No Mo’ in the Washington City Paper.