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The Feminine Critique: <em>Rapture, Blister, Burn,</em> reviewed.

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The Feminine Critique: Rapture, Blister, Burn, reviewed.

Chris Klimek

Maggie Erwin & Michelle Six represent two different generations (Danisha Crosby/Round House).

Maggie Erwin & Michelle Six represent two different generations (Danisha Crosby/Round House).

When I saw Round House Theatre's production of Becky Shaw two years ago, I found in Gina Gionfriddo a playwright whose humor and unpredictability made me want to read everything she'd written. I got the scripts for After Ashley and U.S. Drag, and I read them both during the same flight. My review of Round House's new production of her latest – 2012's Rapture, Blister, Burn – is in today's Washington City Paper.