The Overlook'd Hotel: very still and hard to see, reviewed.

Yasmin Tuazon and friends. (C. Stanley Photography)

I often admire the work Rorschach Theatre Company does, but I struggled with their latest offering, an atmospheric but impenetrable production of Steve Yockey's very still and hard to see. My review is in today's Washington City Paper.

Mucho Mistrust, Love's Gone Behind: Rorschach's Glassheart, reviewed.

Megan Reichelt and Lynette Rathnam

That's a refrain from Blondie's "Heart of Glass," by the way. Who knew? Not me.

I'm of the opinion that Reina Hardy's spin on Beauty and the Beast, Glassheart, is an undercooked play, but the cast of Rorschach Theatre's production is doing admirable work. My review is in today's Washington City Paper.

Rorschach's The Minotaur: Reflections in a Bull's Eye

Sara Dabney Tisdale and David Zimmerman play half-human half-siblings.

There's at least one good reason to see Rorschach Theatre's co-world premiere production of Anna Ziegler's The Minotaur: the eponymous beast his own surprisingly rational, philosophical, well-spoken self.

I review the show in today's Washington City Paper.