Thoughtcrime Doesn't Pay: Scena's 1984, reviewed.
Chris Klimek
My review of Scena Theatre's production of the the Duncan MacMillan/Robert Ickes adaptation of Nineteen Eighty-Four that I saw at the Shakespeare Theatre two years ago is in this week's Washington City Paper. In the years since I saw this script staged the first time, I have acquired a copy of Eurythmics' Greatest Hits on LP, which includes the unfortunate "Sexcrime (Nineteen Eighty-Four)" that accompanied the release of Michael Radford's 1984 movie version.