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Filtering by Tag: Peter Shaffer
The company of RIchard Clifford’s production of Amadeus for the Folger Theatre (C. Stanley Photography).
Antonio Salieri, as self-assessed in the imagination of Peter Shaffer, is mediocre. The Folger’s new production of Amadeus is quite good.
Frankie R. Faison, Emily K. Townley, and David Bishins in Between Riverside and Crazy. (Allie Dearie/Studio Theatre)
Among my other inspired headline ideas was the immortal "Race, Horse." Washington City Paper editor-in-chief Steve Cavendish came up with the winning entry: "Crime Doesn't Neigh." Bravo, Steve. Herewith, my reviews of Studio's Between Riverside and Crazy, the 2015 Pulitzer winner from Stephen Adly Guirgis, and Constellation's new production of Peter Shaffer's Equus.
