The Feminine Critique: Rapture, Blister, Burn, reviewed.
Chris Klimek
Maggie Erwin & Michelle Six represent two different generations (Danisha Crosby/Round House).
When I saw Round House Theatre's production of Becky Shaw two years ago, I found in Gina Gionfriddo a playwright whose humor and unpredictability made me want to read everything she'd written. I got the scripts for After Ashley and U.S. Drag, and I read them both during the same flight. My review of Round House's new production of her latest – 2012's Rapture, Blister, Burn – is in today's Washington City Paper.