Our Pottymouthed Year: 2013 on the DC Stage, Assessed.
Chris Klimek
We're wrapping up a highly rewarding and admirably trend-resistant year on DC's stages, as I aver in this week's Washington City Paper.
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Filtering by Tag: Brad Koed
We're wrapping up a highly rewarding and admirably trend-resistant year on DC's stages, as I aver in this week's Washington City Paper.
Of the stage productions that've moved me most in the five years or so that I've been semi-professionally paying attention to theatre in DC, a suspiciously high percentage of those have been directed by Aaron Posner. (His 2009 version of Tom Stoppard's Arcadia at the Folger Theatre remains my favorite thing that I've ever seen in a playhouse.)
Posner is the playwright, not the director, of Stupid Fucking Bird, his-flippant-but-faithful rejiggering of Anton Chekhov's The Seagull, which opened at Woolly Mammoth Theatre Company this weekend. (Woolly Mammoth founder Howard Shalwitz is its director.) The result is pretty goddamn delightful, as I aver in today's Washington City Paper, available wherever finer alt-weeklies are given away for free.