Sometimes It Smarts, Being a Smartie: Charm and Bloody Poetry, reviewed.
Chris Klimek
Tonya Beckman, Dan Crane, Ian Armstrong, and Esther Williams in Bloody Poetry. (Teresa Castracane/Taffety Punk)
My review of Taffety Punk Theatre Company's "Rulebreaker Rep" -- Kathleen Cahill's Charm, about pioneering feminist Margaret Fuller, and Howard Brenton's Bloody Poetry, about free-loving romantics of the early 19th century -- is in today's Washington City Paper.