Yule Complete Me: Presenting (the second half of) My 12th Annual Christmas Mixtape, Noel Means Noel
Chris Klimek
I'm exhausted, but this thing is finally finished.
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Filtering by Category: music
I'm exhausted, but this thing is finally finished.
I started making these goofy holiday-themed mixtapes in 2006, inspired by the yule-mixologist Andy Cirzan's annual appearances on the great WBEZ radio show and podcast Sound Opinions. I was honored to interview Andy for a Washington Post piece about my mixtape several years later, and to appear with him on a Minnesota Public Radio segment that I'm glad to tell you did not involve Garrison Keillor in any way.
Read MoreFor my day job at Air & Space / Smithsonian, I wrote about Quindar, an electronic music duo comprised of art historian James Merle Thomas and Wilco multinstrumentalist Mikael Jorgensen. In their multimedia live performances and on their debut album Hip Mobility, the pair finds inspiration in the ephemera of the pre-Shuttle space program.
I met with Jorgensen backstage at Wolf Trap before Wilco's Filene Center performance there last month. I waited until we'd concluded our official interview before asking him to sign my copy of A Ghost Is Born—the first record Wilco made after he officially joined the band. He countered with an offer to get the whole lineup to sign it. That was nice. Not counting book signings, the only other person I've ever asked for an autograph was Bono.
PREVIOUSLY: I interviewed Wilco founder and frontman Jeff Tweedy for the Washington Post in 2009.
I've admired music critic Steven Hyden's writing in Grantland since I first took notice of it a couple of years ago, so I was grateful for the opportunity to review his new book, Your Favorite Band Is Killing Me: What Pop Music Rivalries Reveal About the Meaning of Life, for the Washington Post. If you'd like to read an excerpt from one of my favorite chapters, about the mid-80s clash of egos between Michael Jackson and Prince, Slate ran a piece of that chapter the day that Prince died.
Read MoreMy review of Rich Kienzle's new biography The Grand Tour: The Life and Music of George Jones, is in Sunday's Washington Post. There's probably some other stuff in there that would be good to read, too, I bet.
Anyway, here's a paragraph I had to cut for space.
Amid his dutiful, carefully sourced recounting of booze-lubricated recording sessions and singles, Kienzle highlights some amusingly unexpected sides of Jones, like when he told his ex-wife Tammy Wynette in a 1980 interview in Country Music (a magazine Kienzle contributed to for 24 of its 31 years) that if he had to find a second career he would enjoy being an interior decorator. He might fare better than he did as the proprietor of three outdoor country music parks, which he opened at three different points in his life and quickly abandoned. He was also wanton enough with his brand to lend it to random products: George Jones Country Sausage and, also, troublingly, George Jones Country Gold Dog Food and Cat Food. Kienzle notes that a TV spot for the latter was called “George Jones Talks About His Greatest Lines.” If a TV commercial has to have a title, that’s either an unfortunate one or a brilliant one for a pitch from a man whose life and career were so damaged by his eight-year dalliance with cocaine.
I wouldn't ordinarily be so flip discussing something as serious as an addiction problem but that ad just beggars belief.
Side B of my 2015 yulemix, The Christmas Force Awakens — Yuletunes Eclectice & Inexplicable Perfect X: Final Sequence, is posted below!
I might’ve cheated a little to make Side B fit a 55-minute cassette side. There are always a few outtakes, but this one had more than a few. Cutting the mashup of The Pretenders’ “2000 Miles” and Chrissie Hynde’s controversial Morning Edition interview from two months back about her new memoir was a hard call, but the right one. The others may surface if I can summon the resolve to do this for an eleventh time.
May your days be shiny and chrome, and may the Christmas Force be with you. Merry Christmas.
Read MoreHark! The tenth installment in my indefatigable Christmas mixtape series, entitled The Force Awakens — Yuletunes Eclectic & Inexplicable Perfect X: Final Sequence, is upon us. Side A is, anyway. Side B shall appear like the clanky ghost of Jacob Marley upon Ebeneezer Scrooge's doorstep in one week's time.
In the unlucky event your computer or personal electronic device is not equipped with a tape deck, you can stream Side A below. May the Christmas Force be with you.
Read MoreLast Thursday, I attended the seventh of U2's eight concerts at Madison Square Garden, which concluded their U.S. tour. It was my 18th U2 concert since 1997. Here are my notes, assembled in chronological order, which is the most boring possible method of review writing. Let's go!
1. Bono took the stage by himself, at the opposite end of the arena from the band. Most of the folks surrounding the B-stage on the floor where we were (though it’s called the E-stage now, being that this is the annoying capitalized iNNOCENCE + eXPERIENCE Tour) were staring at one of house-right floor entrances to the arena, smart phones at the ready, from the moment Patti Smith’s “People Have the Power” started playing on the P.A. I don’t like that he enters on his own. It contradicts the “just the four of us” narrative that they’ve always fostered, and it’s worth fostering. What other band has stayed intact with its original lineup for just a year or two shy of four decades?
2. My fellow superfans were really nice. We were in the G.A. line ahead of a guy named Bob Springsteen, of the Arkansas Springsteens — he showed me his I.D., unbidden. He was at the show with a pal on this evening but returning with his wife and young daughters, he said, the following night. So Bob Springsteen was in the house the night Bruce Springsteen joined U2 on stage. (I was not.) I’d been reading rumors of a Bruuuuuce appearance on fan sites for a week, and I figured, accurately, that if he showed up he would join in on “I Still Haven’t Found What I’m Looking For,” which he played with U2 after inducting them into the Rock and Roll Hall of Fame 10 years ago. (He was returning the favor. Bono gave Bruce’s induction speech in 1998.) He also played it with U2 at the 25th anniversary concert for the Rock and Roll Hall of Fame in 2009. So a not-especially-surprising surprise.
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