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Musical Advent Calendar: Children, Go Where I Send Thee! Yuletunes Eclectic & Inexplicable Hard Eight: The Desolation of Nog, 2013

Chris Klimek

We're going in a radically different direction with today's Musical Advent Calendar selection, debuting the cover of a classic Christmas record yet-to-come.

That would be the eighth in my unstoppable series of holiday mixtapesChildren, Go Where I Send Thee! Yuletunes Eclectic & Inexplicable Hard Eight: The Desolation of Nog. My only real goal for this to staunch the 2009-2012 trend of these things getting steadily longer -- last year's installment weighed in at a truly obnoxious 130 minutes, only two minutes shorter than the classic holiday movie Die Hard. Which is not to say I wasn't proud of the goddamned thing. I was.

Anyway, that grand ambition of brevity flowered only, uh, briefly. When it drops in a week or so, my new yulemix will be another feature-length epic to comfort and amuse you through your car trips, your long layovers, and your interminable sleepless nights of loathing and regret. I think you'll really dig it. Merry Christmas!

Musical Advent Calendar: Christmas with Buck Owens and his Buckaroos, 1965

Chris Klimek

My best find this year. The songs more than live up to the sleeve's considerable promise. How had I never heard this, or even heard of this, before? You mofos been holding out on me.

I'll be fighting the temptation to over-represent it on the yulemix. Better to ration out its treasures over the coming years. I'm playing the long game, yulemixwise. But this one goes so deep I can afford to throw away good tracks like "Santa Looked a Lot Like Daddy" here.

Musical Advent Calendar: The Don Ho Christmas Album, 1967

Chris Klimek

December 4th. And I've barely begun my yulemix. But I'm only three days late starting the Yuletunes Advent Calendar, wherein I will post one classic album cover each day until Christmas. 

This one was part of my big Black Friday splurge, which came to just over $14. I got it in a dollar bin. For 15 percent off. There is a star to the east of Ho's face, yes. I wanted to show you the actual CD I got so you can see that it apparently once belonged to a cat named Bob Burger. C'mon, that's a little bit funny.

Anyway, can't talk. Yulemixin'.

The Little St. Nick Lowe, or (What's So Funny 'Bout) Peace, Love, and Boughs of Holly?

Chris Klimek

Nick Lowe tells me he "was sort of snobby" initially when his label approached him about doing a Christmas album.

My interest in Christmas music could not be called casual, and I've long admired the songwriting of Nick Lowe, the onetime Jesus of Cool. So his first -- and probably last, but who can say? -- holiday album, Quality Street: A Seasonal Selection for All the Family, is pitched squarely at me. I talked to him about it for Sunday's Washington Post. 

It's my first Post byline in a good while. Nice to be back.

I Still Wish I Were Blind: The Often Terrible Album Covers of Bruce Springsteen, revisited.

Chris Klimek

That's The Boss's imminent album up there, all right. Over at NPR Monkey See this morning, I ask why it -- like pretty much every album Springsteen has made in the last 30 years (except for The Ghost of Tom Joad) -- must have such a terrible, awful, no good, inexpressive and irreducibly goddamn fugly cover.

I wrote a similar, much longer piece examining the covers of Springsteen's entire official catalog five years ago, after the horrific cover of Working on a Dream leaked.

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(Invasion) Hit Parade: Elvis Costello at Lisner Auditorium, annotated.

Chris Klimek

Elvis Costello at Lisner Auditorium, Friday, Nov. 22, 2013. (Francis Chung for DCist)

Elvis Costello at Lisner Auditorium, Friday, Nov. 22, 2013. (Francis Chung for DCist)

Has it really been more than two years since I last saw Elvis Costello play and felt compelled to write footnotes, basically, on all the curiosities in the set? The calendar does not lie. I've seen Costello perform probably 20 times since 1999, but I'd never seen him do a headlining solo set, as he did Friday night at Lisner Auditorium.

Because no one demanded it, I posted some notes over at DCist, where it's been so long that I don't even have my own login anymore. The post features great photos by Francis Chung, who took the one above. For an overview of the concert, the great and good Dave McKenna captured it well in his Washington Post review.

Where Do I Start with Lou Reed?

Chris Klimek

Lou Reed was one the greatest American artists in any medium. Slate invited me to compile a playlist of 10 of his post-Velvet Underground songs as way for newcomers to sample his 40-year solo catalog. I was honored. You can read that here

When Rolling Stone reported Lou's death at the age of 71 yesterday morning -- it's not like I knew him personally, but something about his songwriting, especially on The Blue Mask album from 1982 and everything afterward, makes me feel first-name intimacy with him -- I started tweeting my recollections as a longtime admirer. I was introduced to his work and his wry worldview by New York in 1989. I heard the single, "Dirty Blvd.," on the radio, and I got the CD from the Columbia House mail-order club.

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