We Still Care: A Conversation with Rhett Miller of Old 97s About His Band's Best Album
Chris Klimek
Formed in Dallas in 1993, the alt-country act Old 97's combines the heart-tugging wordplay of Townes Van Zandt with the attack of The Clash. After a couple of indie releases in the mid-'90s, the group was the beneficiary of a bidding war, signing with Elektra Records. Their major-label debut, 1997's Too Far to Care, remains their best and best-loved album. Despite retaining a substantial following—Old 97's' show at the 9:30 Club tonight is sold out—the group never reached the level of stardom its big label demanded. Since 2004, the band has been recording for the New West label.
Old 97's' current tour supports a 15th anniversary reissue of Too Far to Care, which they're playing in its entirety in sequence, along with a selection of other songs. I spoke with singer-songwriter Rhett Miller (whose career as a solo artist runs parallel to that of his band) by phone about the quest for perfect setlist, the excesses of major-label recording contracts, and the trouble with singing songs you wrote when you were 25 when you're 42.
This interview appears today on the Washington City Paper's Arts Desk.
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