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Filtering by Category: movies
This Bell UH-1 Huey is 'bout to get rung. (Warner Bros.)
Look, I'm no hero, but did you happen to notice that my NPR review of Kong: Skull Island contains not one occurrence of "titular" or "eponymous"? Please notice that.
The family that hides together, abides together. Dafne Keen, Patrick Stewart, and Hugh Jackman in Logan. (Fox)
I'm looking forward to the argument we're going to have over beers, you and I, about whether Logan is the best comic book movie since The Dark Knight or the best Western since No Country for Old Men.
Here's my NPR review, where I ran out of space to cite all the things I loved about this movie (Eriq La Salle! Autotrucks!), or to warn you that if you know you will recoil from the sight of an 11-year-old girl defending her life with lethal force, you should skip it. And it would probably be more correct to call it the Rocky Balboa of Rocky movies than the Creed of Rocky movies, but sometimes clarity is more important than pinpoint accuracy.
Bring tissues.
Daniel Kaluuya stars in Jordan Peele's feature filmmaking debut. (Universal)
Jordan Peele's terrific new horror flick Get Out is many things, but it parody it is not. My NPR review is here.
Keanu's taxi-hailing game isn't much better than yours. (Lionsgate)
Wherein I hail John Wick: Chapter 2 as the "face-shooting revenge flick Frederico Fellini never got to make." For NPR.
No sleeves can hold him: Vin Diesel returns as Xander Cage. (Paramount/Revolution Studios)
Just because no one involved with xXx: Return of Xander Cage was ever trying to make a good movie doesn't mean it isn't a bad one. I reviewed it for NPR, for my sins.
It's not as good as Zero Dark Thirty or Captain Phillips. But it's better than you'd think. Reviewed for NPR.
Elle Fanning and Ben Affleck face off. (Claire Folger/Warner Bros.)
My NPR review of Live By Night, writer/producer/director/star Ben Affleck's second adaptation of a Dennis Lehane novel, is here. It aspires to be a sweeping period gangster film in the tradition of The Godfather, Once Upon a Time in America, Miller's Crossing, and so many others, but it tries to bite off too much of Lehane's book to really resonate. It's the weakest of the four films Affleck has directed. Too bad.
Chris Pratt and Jennifer Lawrence in Passengers, a miscast and misbegotten fairy tale in space.
I had hopes for Passengers, from Prometheus writer Jon Spaihts and The Imitation Game director Morten Tyldum, because I root for science fiction films in general and because I've just edited a story for Air & Space/Smithsonian about research into human hibernation for long-term spaceflights, which is key to the premise of this movie. But its billion-dollar ideas are undermined by its five-cent guts, as I aver in my NPR review. Bummer.
