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Stations of the Boss: "Tracks II: The Lost Albums," reviewed.

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Stations of the Boss: "Tracks II: The Lost Albums," reviewed.

Chris Klimek

The only Boss I listen to. (Danny Clinch)

Bruce Springsteen’s curation of his own catalog has always been as beguiling as it is obsessive. Why, during the protracted sessions for his 1980 double album The River, did he pass over the many worthy songs that remained locked away until being compiled on the original Tracks almost 20 years later? While giving the nod to the turgid 8.5-minute ballad “Drive All Night”? And “Crush on You,” a D-list rocker I saw him introduce at a concert in Richmond in 2008 as “the worst song we ever wrote.” How did he decide to bury most of the 83 songs included on the new Tracks II: The Lost Albums for decades while determining that, say, clunkers from 2009’s Workin on a Dream like “Outlaw Pete" and “Queen of the Supermarket” needed to be delivered to his public immediately?

These questions are perhaps unanswerable, but Tracks II provides some clues. My Washington Post review is here.