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Prude Mechanicals, or Pore Newland Is Daid: Arena's "The Age of Innocence," reviewed.

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Prude Mechanicals, or Pore Newland Is Daid: Arena's "The Age of Innocence," reviewed.

Chris Klimek

An Archer misses the target. Shereen Ahmed and A.J. Shively in The Age of Innocence. (Daniel Rader)

Another Gilded Age, another pandemic. The time is right for another look at The Age of Innocence, more now than in 1993, when Martin Scorsese made his marvelous film of Edith Wharton’s 1920 novel. Turning in into a movie made sense. And putting it on stage? I can’t believe I’m saying this, but it might’ve worked better as a musical.

My full Washington Post review is here.