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WaPo Book Review: <em>Season of the Witch: How the Occult Saved Rock and Roll</em>

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WaPo Book Review: Season of the Witch: How the Occult Saved Rock and Roll

Chris Klimek

In tomorrow's Washington Post – the part of it that's already out today, in fact I review Peter Bebergal's Season of the Witch, a book that actually manages to make the intersection of rock and roll and the Occult seem boring. The Bowie photo is from Nic Roeg's creepy movie The Man Who Fell to Earth, wherein the Thin White Duke plays an alien visiting Earth from a drought-stricken planet.

But other than the skull cap and the contact lenses, that's what he really looked like in 1975 when a 19-year-old Cameron Crowe interviewed him. His raging abuse of cocaine during this period had made him paranoid, and specifically convinced that witches were trying to steal his semen to create a homunculus. According to Bebergal. I regret that I couldn't find space to mention this in my 500-word review. (I don't remember anything about that in the Bowie biography I wrote about in the Dallas Morning News a few years back, but my memory is worse than useless.)

I also lament not being able squeeze in something about Bebergal's discussion of Anton LaVey, founder of the Church of Satan, who argued “that the Satan of his church was not a literal personification of evil, but rather a stand-in for ‘the spirit of discovery, freethinking, and rebelliousness. He told the Los Angeles Times: “'It’s just Ayn Rand’s philosophy, with ceremony and ritual added.'”