Over at my day job yesterday I got a sneak peak of a unique exhibit opening at the National Air and Space Museum on Sunday: an installation by artist Simon Birch that reconstructs the mysterious Louis XVI-era bedroom from the end of 2001: A Space Odyssey at 1:1 scale. Because yesterday marked the 50th anniversary of the film's release, I wrote a piece about it. I drew heavily from Michael Benson's new making-of book Space Odyssey: Stanley Kubrick, Arthur C. Clarke, and the Making of a Masterpiece, which I've already plugged on Pop Culture Happy Hour but which I'm glad to plug again here.
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I've got a piece on Slate today arguing that the element that makes Springsteen on Broadway—which I saw on February 28, the night after I saw Hello, Dolly!—worth the difficulty and expense of getting tickets is quiet. You can read that here, and it is my fond hope that you shall.
And in the spirit of Bruce Springsteen having written more worthy songs for Darkness on the Edge of Town and The River and Born in the U.S.A. than he could possibly use at the time, but contrary to the spirit of him waiting 15-30 years before releasing all those unused songs, which I as a diehard am legally required to claim were better than the ones he put on the albums which by the way is true in many cases... here's a deleted scene from that piece, wherein I expand upon my 20-show record as a Bruce Springsteen fan:
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