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The Bedroom at the End of the Universe

Chris Klimek

Over at my day job yesterday I got a sneak peak of a unique exhibit opening at the National Air and Space Museum on Sunday: an installation by artist Simon Birch that reconstructs the mysterious Louis XVI-era bedroom from the end of 2001: A Space Odyssey at 1:1 scale. Because yesterday marked the 50th anniversary of the film's release, I wrote a piece about it. I drew heavily from Michael Benson's new making-of book Space Odyssey: Stanley Kubrick, Arthur C. Clarke, and the Making of a Masterpiece, which I've already plugged on Pop Culture Happy Hour but which I'm glad to plug again here.

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It Might Get Quiet: The Revelatory Silence of Springsteen on Broadway.

Chris Klimek

I've got a piece on Slate today arguing that the element that makes Springsteen on Broadway—which I saw on February 28, the night after I saw Hello, Dolly!—worth the difficulty and expense of getting tickets is quiet. You can read that here, and it is my fond hope that you shall.

And in the spirit of Bruce Springsteen having written more worthy songs for Darkness on the Edge of Town and The River and Born in the U.S.A. than he could possibly use at the time, but contrary to the spirit of him waiting 15-30 years before releasing all those unused songs, which I as a diehard am legally required to claim were better than the ones he put on the albums which by the way is true in many cases... here's a deleted scene from that piece, wherein I expand upon my 20-show record as a Bruce Springsteen fan:

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Language Bury Her: Studio's Translations and Folger's The Winter's Tale, reviewed.

Chris Klimek

British soldiers survey an Irish village circa 1830 in Translations. (Teresa Wood)

British soldiers survey an Irish village circa 1830 in Translations. (Teresa Wood)

I've got reviews of two shows I enjoyed in this week's Washington City Paper: Studio Theatre second-in-command Matt Torney's confident new production of Brian Friel's 40-year-old Irish classic Translations, and Aaron Posner's The Winter's Tale over at the Folger. The former as a lot of superb performers who haven't worked a lot in Washington before. The latter has a bunch of Posner's favorite actors (and mine), but it's Michael Tisdale as the maniacal King Leontes who runs away with the show.

Furry Road: Isle of Dogs, reviewed.

Chris Klimek

Boss (Bill Murray), a former baseball team mascot, is part of a pack of exiled canines.

Boss (Bill Murray), a former baseball team mascot, is part of a pack of exiled canines.

It's no shocker that I loved Wes Anderson's new stop-motion adventure of Isle of Dogs. It's a mild shocker that I didn't cry watching it. Either time! My NPR review is here. UPDATE: I'm on the Pop Culture Happy Hour episode where we hash over some of charges of insensitivity and cultural appropriate that a few critics have levied against the movie, too. That's on the same page as the review, but you can hear below, too.

Farewell, Angelina: Tomb Raider, reviewed.

Chris Klimek

Alicia Vikander and Walton Goggins pay some bills. (Graham Bartholomew)

Alicia Vikander and Walton Goggins pay some bills. (Graham Bartholomew)

People always told me, don't go raiding tombs... I mean, if you're determined to see Tomb Raider, a movie, technically, based on a 2013 reboot of a 1996 video game that previously spawned a couple of Angelina Jolie-starring movies, nothing will deter you. But you'll be going against critical advice.

Cloak & Dagger? I Hardly Know 'Er: Red Sparrow, reviewed

Chris Klimek

J-Law and Joel Edgerton make love and also war.

J-Law and Joel Edgerton make love and also war.

Red Sparrow, a nasty adaptation of a novel by C.I.A. veteran Jason Matthews starring Jennifer Lawrence and Joel Edgerton, is the Black Widow origin movie Marvel Studios will never make. I like a movie that gets at the existential misery of spycraft. Here's my NPR review.

John Brown's Body: The Raid, reviewed.

Chris Klimek

Marquis D. Gibson and Nicklass Aliff as Douglass and Brown (Theatre Alliance)

Marquis D. Gibson and Nicklass Aliff as Douglass and Brown (Theatre Alliance)

As much as like going to Ford's Theatre to see plays about Abraham Lincoln, going to Anacostia to see plays about Frederick Douglass is a rarer pleasure. Here's my review of Theatre Alliance's production of Idris Goodwin's The Raid, from this week's Washington City Paper.