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Faking and Baking: Stage Kiss and Holiday Memories, reviewed.

Chris Klimek

They can't all be winners, not even shows from playwrights, directors, and actors whose work you often love. Round House Theatre's new production of Sarah Ruhl's Stage Kiss was a bigger disappointment to me given its pedigree than was WSC Avant Bard's Holiday Memories, but I can't say either one blew my Christmas stockings off. As ever, your mileage may vary.

No More: Oliver!, reviewed.

Chris Klimek

Jake Heston Miller is Oliver! (Margot Schulman)

Jake Heston Miller is Oliver! (Margot Schulman)

It's already been three weeks since I saw Arena Stage's new production of Oliver! Lionel Bart's beloved 1960 musical adaptation of Charles Dickens' Oliver Twist — but for various page-cutting reasons, my review did not run in the Washington City Paper until this week's issue. Somehow I got through it without mentioning that Jeff McCarthy, who plays Fagan, was in RoboCop 2.

James-Bonding with Kempenaar & Larsen on Filmspotting No. 563

Chris Klimek

1963's From Russia with Love is still my favorite 007 flick on most days.

1963's From Russia with Love is still my favorite 007 flick on most days.

It's been a few years since I sat in on an episode of Filmspotting, the great Chicago-based radio show and podcast devoted to dissection of movies new and old, famous and obscure, foreign and domestic. But now I can reveal that earlier in the week, founding host Adam Kempenaar sent me a highly classified diplomatic cable inviting me to join him an regular co-host Josh Larsen for the Top Five segment of this week's SPECTRE-themed show, devoted to Favorite Bond Things. I regret only that I did not refer to Diana Rigg's character from On Her Majesty's Secret Service by her full name, Contessa Teresa Di Vincenzo.

I supposed I might also have expounded more insightfully on how the big parkour chase at the top of Casino Royale (v. 2006) isn't just one of the most fluidly choreographed, masterfully shot-and-edited action set pieces of the 21st century; it shows us plenty about the brutal, clumsy nature of this film's younger, less seasoned 007, too. Or how my favorite "Bond girl," from that same film — Eva Green's British Treasury official Vesper Lynd — is Bond's equal not only in resolve and intelligence, but ultimately in cunning. She's playing him, the same way Bond uses sexuality to manipulate women in just about every Bond adventure to follow. (And they all follow this one.) Had I mentioned the marvelous cold-open car chase from Quantum of Solace, that would've been another chance to stick up for that oft-maligned sequel. But I already did that in my S.P.E.C.T.R.E. essay in The Atlantic last week.

Listen to the episode here.

How You Like Them Apples? Sorry and Regular Singing, reviewed.

Chris Klimek

Sarah Marshall, Elizabeth Pierotti, Rick Foucheux, and Kimberly Schraf in The Apple Family Cycle, part the second, at Studio Theatre. (Allie Dearie)

Sarah Marshall, Elizabeth Pierotti, Rick Foucheux, and Kimberly Schraf in The Apple Family Cycle, part the second, at Studio Theatre. (Allie Dearie)

My review of Sorry and Regular Singing, the latter two entries in Richard Nelson's Apple Family quartet, is in today's Washington City Paper. I reviewed the first pair, That Hopey Changey Thing and Sweet and Sad, when the same director and cast staged them here in Washington two years ago; see here. If I've little more to say now than I said then, it's only because the magnificent strengths of the whole are also the strengths of its magnificent component parts.

What's in an Acro-Name? The Weirdly-Punctuated History of S.P.E.C.T.R.E.

Chris Klimek

I went D.E.E.P. on the H.I.S.T.O.R.Y. of S.P.E.C.T.R.E. for this Atlantic essay chronicling the tortured-acronym-loving cabal's bizarre contributions to the James Bond literary and film franchises. Anyone with enough interest in the Bond flicks to stick with this thing for nine paragraphs won't be surprised by the SPECTRE spoiler found therein, but consider yourself duly warned.

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The Ties That Bond: SPECTRE, reviewed.

Chris Klimek

Daniel Craig and Léa Seydoux in SPECTRE. (Sony)

Daniel Craig and Léa Seydoux in SPECTRE. (Sony)

My NPR review of SPECTRE, definitive Bond Daniel Craig's 004th appearance as 007, is up at NPR now. The fourth time around has been a trouble spot for every screen Bond — witness 1965's Thunderball, 1979 Moonraker, and 2002's Die Another Day — and Craig is the fourth actor to reach film No. 4 in the role. Before I saw SPECTRE, I thought I wanted one more Bond flick from him. Now I'm not so sure.

Petty Hurts: Girlstar and Avenue Q, reviewed.

Chris Klimek

In this week's Washington City Paper, I size up a pair of musicals: Signature Theatre's Girlstar is a confused mess borne aloft by a strong cast, and Constellation Theatre's revival of the hit Sesame Street parody Avenue Q is funnier and more soulful than The Muppets. (The dour 2015 version, not The Muppet Show.) More words, if not necessarily more insight, on these subjects here and here.