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Filtering by Category: music

It Might Get Quiet: The Revelatory Silence of Springsteen on Broadway.

Chris Klimek

I've got a piece on Slate today arguing that the element that makes Springsteen on Broadway—which I saw on February 28, the night after I saw Hello, Dolly!—worth the difficulty and expense of getting tickets is quiet. You can read that here, and it is my fond hope that you shall.

And in the spirit of Bruce Springsteen having written more worthy songs for Darkness on the Edge of Town and The River and Born in the U.S.A. than he could possibly use at the time, but contrary to the spirit of him waiting 15-30 years before releasing all those unused songs, which I as a diehard am legally required to claim were better than the ones he put on the albums which by the way is true in many cases... here's a deleted scene from that piece, wherein I expand upon my 20-show record as a Bruce Springsteen fan:

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Yulemixed Messages: Presenting (the first half of) My 12th Annual Christmas Mixtape, Noel Means Noel

Chris Klimek

I started making these goofy holiday-themed mixtapes in 2006, inspired by the yule-mixologist Andy Cirzan's annual appearances on the great WBEZ radio show and podcast Sound Opinions. I was honored to interview Andy for a Washington Post piece about my mixtape several years later, and to appear with him on a Minnesota Public Radio segment that I'm glad to tell you did not involve Garrison Keillor in any way. 

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Quindar Love

Chris Klimek

Mikael Jorgensen was kind enough to ask all his bandmates in Wilco to sign my copy of their 2004 LP A Ghost Is Born.

Mikael Jorgensen was kind enough to ask all his bandmates in Wilco to sign my copy of their 2004 LP A Ghost Is Born.

For my day job at Air & Space / Smithsonian, I wrote about Quindar, an electronic music duo comprised of art historian James Merle Thomas and Wilco multinstrumentalist Mikael Jorgensen. In their multimedia live performances and on their debut album Hip Mobility, the pair finds inspiration in the ephemera of the pre-Shuttle space program.

I met with Jorgensen backstage at Wolf Trap before Wilco's Filene Center performance there last month. I waited until we'd concluded our official interview before asking him to sign my copy of A Ghost Is Born—the first record Wilco made after he officially joined the band. He countered with an offer to get the whole lineup to sign it. That was nice. Not counting book signings, the only other person I've ever asked for an autograph was Bono.

PREVIOUSLY: I interviewed Wilco founder and frontman Jeff Tweedy for the Washington Post in 2009.

Your Favorite Band Is Killing Me, reviewed for Washington Post Book World

Chris Klimek

I've admired music critic Steven Hyden's writing in Grantland since I first took notice of it a couple of years ago, so I was grateful for the opportunity to review his new bookYour Favorite Band Is Killing Me: What Pop Music Rivalries Reveal About the Meaning of Life, for the Washington Post. If you'd like to read an excerpt from one of my favorite chapters, about the mid-80s clash of egos between Michael Jackson and Prince, Slate ran a piece of that chapter the day that Prince died.

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George Jones Talks About His Greatest Lines

Chris Klimek

My review of Rich Kienzle's new biography The Grand Tour: The Life and Music of George Jones, is in Sunday's Washington Post. There's probably some other stuff in there that would be good to read, too, I bet.

Anyway, here's a paragraph I had to cut for space.

Amid his dutiful, carefully sourced recounting of booze-lubricated recording sessions and singles, Kienzle highlights some amusingly unexpected sides of Jones, like when he told his ex-wife Tammy Wynette in a 1980 interview in Country Music (a magazine Kienzle contributed to for 24 of its 31 years) that if he had to find a second career he would enjoy being an interior decorator. He might fare better than he did as the proprietor of three outdoor country music parks, which he opened at three different points in his life and quickly abandoned. He was also wanton enough with his brand to lend it to random products: George Jones Country Sausage and, also, troublingly, George Jones Country Gold Dog Food and Cat Food. Kienzle notes that a TV spot for the latter was called “George Jones Talks About His Greatest Lines.” If a TV commercial has to have a title, that’s either an unfortunate one or a brilliant one for a pitch from a man whose life and career were so damaged by his eight-year dalliance with cocaine.

I wouldn't ordinarily be so flip discussing something as serious as an addiction problem but that ad just beggars belief.

Hark! The Christmas Force Awakens Is Now Fully Armed and Operational

Chris Klimek

Side B of my 2015 yulemix, The Christmas Force Awakens — Yuletunes Eclectice & Inexplicable Perfect X: Final Sequence, is posted below!

I might’ve cheated a little to make Side B fit a 55-minute cassette side. There are always a few outtakes, but this one had more than a few. Cutting the mashup of The Pretenders’ “2000 Miles” and Chrissie Hynde’s controversial Morning Edition interview from two months back about her new memoir was a hard call, but the right one. The others may surface if I can summon the resolve to do this for an eleventh time.

May your days be shiny and chrome, and may the Christmas Force be with you. Merry Christmas.

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Hark! The Christmas Force Awakens is now streamable for your hall-decking merriment.

Chris Klimek

Hark! The tenth installment in my indefatigable Christmas mixtape series, entitled The Force Awakens — Yuletunes Eclectic & Inexplicable Perfect X: Final Sequence, is upon us. Side A is, anyway. Side B shall appear like the clanky ghost of Jacob Marley upon Ebeneezer Scrooge's doorstep in one week's time.

In the unlucky event your computer or personal electronic device is not equipped with a tape deck, you can stream Side A below. May the Christmas Force be with you.

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