"Reacher," recapped!

Reacher locked his keys in the car again. Just kidding; Reacher doesn’t have a car. Or any keys. (Brooke Palmer / Prime Video)

I’m recapping the second season of Reacher, the first-nameless Amazon adaptation of Lee Child’s hilarious series of novels about a hyper-competent, mountain-sized ex-military vigilante hobo, for Vulture. Truly, this is a labor of love. I yield to no man in my admiration for Christopher McQuarrie’s 2012 feature Jack Reacher, but this is a different beast. A larger, less expensive one.

In "Terminator: Dark Fate," SkyNet Is History But U.S. Customs and Border Protection Remains

Gabriel Luna as the latest model Terminator, the Rev-9. (Kerry Brown/Paramount)

No amount of Terminator scholarship is too much if you're me. So just as the new Terminator: Dark Fate (which bombed over the weekend, but you people keep buying tickets for those The Fast & The Furious movies, so there's no accounting for taste) is a follow-up to 2015's Terminator: Genisys (sic) that's really a sequel to Terminator 2: Judgment Day,...

...the piece that I published on Slate tonight is a sequel to my Terminator: Dark Fate review from last week that's really a sequel to a longish T2 essay I wrote five summers ago for The Dissolve, may it rest in power. When I observed in my review of Dark Fate that the series finally got some of its old zeitgeist-surfing mojo back, this is what I meant.

The Infiltration Unit: Terminator 2's Brilliant Game of Good 'Bot, Bad Cop

Robert Patrick's "mimetic pollyalloy" T-1000 could look like anyone. For most of T2, he looks like an LAPD patrolman.

I've very proud to have contributed the concluding essay of The Dissolve's Movie of the Week coverage of Terminator 2: Judgment Day, long one of my sentimental favorites. My piece examines how cowriter-director James Cameron's decision to disguise the film's mysterious villain, the advanced T-1000 Terminator played (mostly) by Robert Patrick, as a uniformed Los Angeles police officer anticipated our growing discomfort with police in general and the L.A.P.D. in particular at the start of the 90s. It also explores the film's ironic connection to the tragic beating of Rodney King by four L.A.P.D. officers near one of T2's key locations while the film was in production. Read it here.