The Out-of-Frame Horror: "The Zone of Interest," reviewed.
Chris Klimek
Sandra Hüller has a dream house next to hell in The Zone of Interest. (A24)
Jonathan Glazer’s Under the Skin was my favorite film of 2014 (though it was released outside of the U.S. a year earlier). My review of his even-more-challenging follow-up, The Zone of Interest, is here. I wrote, erroneously, that the movie was in black-and-white. It’s not, but monochrome was how I remembered it. That’s definitely the strangest mistake I’ve ever made in (digital) print.