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Filtering by Category: podcasts
Gerry B. and Mikey C. get serious in Plane, a movie.
I heard that if you go to see Plane on Broadway, stars Gerard “Leonidas, King of Sparta” Butler and Mike “Luke Cage, Hero For Hire” Colter trade roles every night.
Pals Linda Holmes, Ronald Young, Jr. and I had a sublimely fun conversation about this somewhat fun passengers-in-trouble flick.
Kate Winslet, Cliff Curtis, Zoe Saldaña, and Sam Worthington shooting one of the current or forthcoming Avatar sequels at some point between late 2017 and early 2020. (Fox)
James Cameron only releases a new feature film every dozen or so years, so you’ll forgive me if I’m excited. My Avatar: The Way of Water media blitz kicks off with a fun PCHH wherein Stephen Thompson, whom I’d incorrectly predicted would hate this movie, Reanna Cruz, and I talk through our reactions, and I plug my holiday mixtape.
It's a Y2K-pop extravaganza as Chris and Glen emerge from their unplanned and unannounced hiatus to dissect 72-year-old Patty McG's brief-but-memorable guest appearance reprising the role of Number Six for (the final eight minutes of) the Season 12 Simpsons episode "The Computer Wore Menace Shoes." Cowabunga!
The Simpsons, season 12, episode six — "The Computer Wore Menace Shoes"
Written by John Swartzwelder
Directed by Mark Kirkland
Originally aired December 3, 2000
Colin Farrell and Brendan Gleeson in another Martin McDonagh joint. (Fox Searchlight)
I was happy to join Bedatri D. Choudhury and host Stephen Thompson on Pop Culture Happy Hour to talk The Banshees of Inisherin, playright-turned-filmmaker Martin McDonagh’s latest feature. I was one of the few defenders of his prior film the highly divisive Three Billboards Outside of Ebbing, Missouri five years ago, but I was mostly here as a stan for McDonagh’s plays, which are what Inisherin recalls far more than any of his prior movies. My reviews of some of his plays seem to have blinked out of existence, but I reviewed Constellation’s The Lieutenant of Inishmore in 2015, and Keegan’s The Lonesome West and Forum’s The Pillowman, both in 2016. When we got to the What’s Making Me Happy segment, I had several good candidates, but I chose — defaulted, really — the most Irish of them. Because McDonagh.
September 17 marked the 50th anniversary of the debut of M*A*S*H, a pioneering TV series that was a little before my time (says the guy who co-hosts a show about an older a much more obscure series) but which has its share of latter-day acolytes. I spoke to a couple of them for my Smithsonian piece about the show’s legacy.
Aaron Taylor-Johnson and Brad Pitt can’t just get along. (Scott Garfield/Sony Pictures)
Bullet Train, director David Leitch’s strangers-on-a-fast-train-fight thriller, is way less diverting and way more confusing than it oughta be. Letich and Chad Stahelski made John Wick together, and Stahelski stayed on for the subsequent Wicks while his old creative partner went off to make Deadpool 2, Atomic Blonde, the hilariously double-ampersand-packin’ Fast & Furious Presents: Hobbs & Shaw, and now Bullet Train. Stahelski is fairing better, I reckon. Anyway, it was fun to talk Bullet Train with Glen Weldon, Aisha Harris, and Mallory Yu.
Our guest Keith Phipps is not just a sterling critic and a dad — an essential component when we cover a movie as openly paternal as 1978’s post-WWII espionage thriller Brass Target . He is also the author of new book examining the career of a singularly idiosyncratic actor. A Degree Absolute! endorses Keith’s book Age of Cage absolutely.
And Brass Target? Well, minute-for-minute, it has the most undiluted Patty McG purity rating of any film we’ve covered save perhaps for Braveheart. It’s much harder to find but worth the hunt for those such as we. Invest in physical media, people.
Brass Target
Screenplay by Alvin Boretz, adapted from Frederick Nolan’s novel The Algonquin Project
Directed by John Hough
Released December 22, 1978
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Our song: "A Degree Absolute!"
Music and Lyrics by Chris Klimek
Arranged by Casey Erin Clark and Jonathan Clark
Vocals and Keyboards by Casey Erin Clark
Guitar, Percussion, Mixing by Jonathan Clark
Bass by Marcus Newstead
Ryan Gosling did a lot of hahaha training for the not-so-colorful thrillerThe Gray Man. (Paul Abell/Netflix)
Look, I cohost a podcast about The Prisoner. When a new international espionage-themed thriller appears with a lead character named Six, I have to pay attention. The Netflick The Gray Man is one of two new releases this month containing what I believe to be a deliberate Prisoner reference. The other one is Marcel, the Shell with Shoes On.
I loved Captain America: Civil War and The Nice Guys and Blade Runner 2049 and Knives Out. I appreciated No Time to Die. I wanted to love, or at least appreciate, The Gray Man. I tried to.
