A DEGREE ABSOLUTE! episode twenty-two — ESCAPE FROM ALCATRAZ

I wish I knew you actually painted this portrait of Patrick McGoohan’s sadistic, unnamed warned, attributed in the 1979 film Escape From Alcatraz to the character of Doc as played by Roberts Blossom.

Maximum Fun? More like maximum security! Maximum Fun podcast network founder and San Francisco native Jesse Thorn joins us this week to tunnel through the crumbling walls of Escape From Alcatraz, the 1979 Clint Eastwood-starring dramatization of the real 1962 prison break, featuring Patty McG as…The Warden. Stunt casting doesn’t get any stuntier, though Glen and I differ on exactly how much The Artist Formerly Known Only as Number Six contributes to the 115-minute picture in his roughly 10 minutes of screen time.

Also, am I the only person on this dang podcast who respects Eastwood as an artist? Sure, I hated his film Richard Jewell, and I said in my 2019 review that the then-89-year-old’s make-a-movie-every-year working tempo may have contributed to the declining quality of his ouvre. But you can’t just dismiss the guy who made Unforgiven and A Perfect World and Bird and so many others, outside of the westerns and cop thrillers and middling airport novel adaptations that his name conjures up.

I never saw The Mule, but I heard he has not one but two threesomes in that movie, which my parents saw at the cheap seniors-only early-afternoon weekday show. That’s reason enough for me to choose anything else from his 45-film, 50-year feature film directing resume next time I feel like clearing up one of my Eastwood blind spots.

A DEGREE ABSOLUTE! episode twenty-one — McG on Columbo

Director and guest star Patty MG pulls Peter Falk’s strings in the 1975 Columbo episode “Identity Crisis.”

DID YOU KNOW that Columbophiles are properly nomenclatured Columboheads or Trenchcoatheads?

DID YOU KNOW that fans who divide their sympathies equally among Patrick McGoohan and Peter Falk are formally designated McGalks?

The source of these incontrovertible revelations, the great Linda Holmes, joins us to investigate Patty McG’s historic run as a four-time Columbo killer / five-time Columbo director. Brandon Routh, the George Lazenby of Supermen despite being admirably heighted to the role, also gets a surprising quotient of airtime on this typically tangent-tolerant episode of our private, personal, by-hand, punchcard-driven podcast!

Read Linda's November 2020 essay on her pandemic discovery of Columbo here. And follow her on Twitter, obviously.

Pop Culture Happy Hour: "The Suicide Squad" and What's Making Us Happy

Margot Robbie, Daniela Melchior, Idris Elba, a shark-man voiced by Sylvester Stallone, and David Dastmalchian are most of the lineup of The Suicide Squad. (Warner Bros/DC Comics)

Wednesday was my birthday, and it was not the first time I’d spent part of my birthday talking about a James Gunn comic book movie on Pop Culture Happy Hour. In 2014, I reported to the now-long-since-demolished-and-replaced NPR headquarters to talk about the just-released Guardians of the Galaxy before heading off to dinner at Oyamel. This year, I skipped the studio — we all skipped the studio — but still joined a panel chaired by my A Degree Absolute! co-host Glen Weldon and allies Daisy Rosario and Ronald Young, Jr. to dissect (it’s a grisly movie) The Suicide Squad.

Glen and I two-handed its kinda-sorta precursor, the definite article-free Suicide Squad, in 2016. I also wrote a review of that film for NPR. God, what a rotten year that was.

A DEGREE ABSOLUTE! episode twenty-one — "LOST" in America with Jen Chaney

Vulture TV critic and noted Lindelofologist Jen Chaney joins us to examine the influence of The Prisoner on subsequent stranded-by-the-seaside puzzle-box shows like LOST. Plus we once again pop The Hatch on the mailbag.

Read Jen's definitive oral history of the LOST finale here! Follow her on Twitter here!

Pop Culture Happy Hour: "Black Widow" and What's Making Us Happy

Scarlet Johansson, David Harbor, and Florence Pugh take a walk in the woods. (Jay Maidment/Marvel Studios)

Pal-for-Life Glen Weldon and I have been on Pop Culture Happy Hour together on many occasions, but this is the first time since we started our own podcast. With host Linda Holmes and my fellow guest Vincent Schilling, we talked through our mixed responses to Black Widow, the Marvel movie that we all agree should’ve come out no later than in 2017, and which I wish had been more of a spy story than yet another Big Fight in the Sky. The casting of the the fabricated Russian spy “family” — Scarlet Johansson, Florence Pugh, David Harbour, and Rachel Weisz — made the film worthwhile for me, albeit frustrating.

Omitted from our conversation was my mention of this Guardian profile of Black Widow director Cate Shortland, wherein she describes removing a cheesecake shot of Johansson from the film after a test audience objected to it. I brought it up because the piece describes the film as pointedly not objectifying its star the way Iron Man 2 and other Marvel entries have, when some members of the audience I saw the film with felt strongly that the movie had done that.

My own incomplete thoughts on the subject are that it’s good that a woman directed this movie, that more films at every budget level but especially massive investments like Black Widow should be directed by woman, and that I’m not sure it’s possible to film a movie star without objectifying them. Our ability to regard them as objects as well as people may well be the mysterious quality that makes them stars. Johnasson has demonstrated herself on many occasions to be a good actor, too, but that’s a different skill.

NPR has begun to adapt the What’s Making Me Happy segment of these Friday episodes into a text blog post. Already I’m 11 chapters into The Devil’s Candy, the 1991 Julie Salamon book Linda has recommended about how Brian De Palma’s 1990 adaptation of Tom Wolfe’s novel The Bonfire of the Vanities went so wrong.

I’ve also made good on my promise to dive into The Criterion Channel’s July assortment of neo-noirs. I watched Arthur Penn’s Night Moves the other night and was shocked to realize near the end that the unrecognizable girl Gene Hackman’s 40-year-old football star-turned-private dick is enlisted to find was played by Melanie Griffith, who 15 years later would play a prominent role in The Bonfire of the Vanities.

A DEGREE ABSOLUTE! episode nineteen — Do Not Forsake Me Oh My Darling (the band, the filmmakers, the supertalented PRISONER superfans)

I have always thought The Prisoner is a show with a particular appeal to creative people, and I love to be proven right. 

Do Not Forsake Me Oh My Darling is a Prisoner-inspired punk duo comprised of filmmakers/musicians/writers/creators/etc. Sophia Cacciola and Michael J. Epstein. When we saw their video for "Arrival" — a meticulous, two-years-in-the making recreation of The Prisoner's opening title sequence — we knew we had to meet them. From this wildly ambitious and improbably successful short film, they graduated to making features, as they tell us in a conversation that reaches far beyond The Prisoner to address the joys and the confines of fandom.

Plus, I learned a new word.

A DEGREE ABSOLUTE! episode eighteen — Once Upon a Time

Shot in December 1966 under the title "Degree Absolute" and not broadcast until more than a year later when it became The Prisoner's penultimate — and, we agree, ultimate — episode, "Once Upon a Time" is the real thing. A bottle episode that locks GOAT Number Two Leo McKern and Number Six in the black-box "Embryo Room" and compels them to reenact the Seven Ages of Man that that glover's son from Stratford wrote about, shooting it almost killed McKern. And talking about it almost killed us! Our private, personal, by-hand, punchcard-driven discursive dissection of this epistemological epic is more tangent-tolerant than ever! Get comfortable, because Second Childishness & Mere Oblivion await!

"Once Upon a Time"

Written and directed by Patrick McGoohan 

Original airdate January 25, 1968

A DEGREE ABSOLUTE! episode seventeen — ICE STATION ZEBRA

What If Jimmy Page played a session with Stillwater? Our podcastin' inspiration Matt Gourley joins us for a Cinerama epic of an episode that we didn't plan to release on Father's Day week, but the cookie just happened to crumble serendipitously. Because our subject is a genuine, certified, no-foolin’ Dad Movie, Ice Station Zebra, based on The Guns of Navarone author Alistair MacLean's novel Ice Station Zebra.

The moderately thrilling Cold War thriller that Patty McG cheated on The Prisoner with is an all-star affair featuring Rock “The Dwayne” Hudson, Ernest “Resistance is Futile” Borgnine, Jim “One Night in Miami” Brown and the dirty half-dozen himself, Patrick McGoohan! And this episode is, like Roger Ebert’s 1969 review of Ice Station Zebra, a one-star affair... the star being Mr. Gourley, who nails it like Harrison Ford in Witness when he hails Ice Station Zebra as “a Saturday lawnmow.”

Ice Station Zebra

Directed by John Sturges

Screenplay by Douglas Heyes

Screen Story by Harry Julian Fink

From the novel by Alistair MacLean

Released October 23, 1968