contact us

Use the form on the right to contact us.

You can edit the text in this area, and change where the contact form on the right submits to, by entering edit mode using the modes on the bottom right.

           

123 Street Avenue, City Town, 99999

(123) 555-6789

email@address.com

 

You can set your address, phone number, email and site description in the settings tab.
Link to read me page with more information.

SWAGGER, NOT STYLE

The worldwide headquarters and hindquarters of freelance writer Chris Klimek

Yep, they really did run the photo with the caption, "Requiem Darfur a dream."

Chris Klimek

[caption id="attachment_5622" align="aligncenter" width="445" caption="Rahaaleah Nassri and Erika Rose"][/caption] Noted with Relief: Theater J's In Darfur 's intentions aren't the only thing that's good about it. CP review commences: Winter Miller’s In Darfur is one of those plays that seems at least obliquely to chronicle its own creation, like Moises Kaufman’s 33 Variations or Doug Wright’s I Am My Own Wife. In seeking to compress an unfathomable tragedy into a tellable story, Miller transfers her own pedagogical burden onto one of her three major characters: New York Times reporter Maryka (Rahaleh Nassri) has only days to turn up evidence of a genocide campaign backed by the Sudanese government before her editor reassigns her to a story with more established news value. “Are these good rebels or bad rebels?” Maryka’s editor wants to know, inquiring after the Sudan Liberation Movement. “They’re not great,” Maryka says. The difficulty of untangling the warring factions for Westerners hardens the Times’ reluctance. But Maryka has lucked into the ideal ambassador in Hawa, a teacher whose command of English gives her the ability to personalize the story for readers Maryka hopes will pressure their governments to act if she can get Darfur onto page one.

Read the complete review in the Washington City Paper.