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Of Most Rare Note

Chris Klimek

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Can a working actor get famous in one of Shakespeare's least-famous plays? In this week's Washington City Paper, available wherever finer alt-weeklies are given away gratis, I profile the hardworking and versatile titan of stage and stage Mr. Ian Merrill Peakes. He's currently appearing in the Folger Theatre's Timon of Athens, the "Hey Bulldog" of the Shakespearean canon.

Taking Trump Literally: Building the Wall, reviewed.

Chris Klimek

Tracey Conyer Lee and Eric Messner. (Teresa Castracane/Forum Theatre)

Tracey Conyer Lee and Eric Messner. (Teresa Castracane/Forum Theatre)

Robert Schenkkahn's Building the Wall, a terrifyingly plausible future-history of the Trump Administration that Forum Theatre has scrambled to shoehorn into their season, is a cry of warning that requires little suspension of disbelief.

I saw the show at Arena Stage last week in the first part of its bifurcated, two-venue run. It's at Forum's Silver Spring performance space May 18-17. Go. My review is in this week's Washington City Paper, along with one of The Shakespeare Theatre's Company's more-is-less Macbeth.

A Split Decision for Chuck

Chris Klimek

Liev Schreiber and Ron Perlman in Philippe Falardeau's Chuck Wepner biopic. (Sarah Shatz/IFC)

Liev Schreiber and Ron Perlman in Philippe Falardeau's Chuck Wepner biopic. (Sarah Shatz/IFC)

Here's my NPR review of Chuck, a biopic about Chuck Wepner, the self-sabotaging New Jersey boxer who inspired Sylvester Stallone to write Rocky.  It ain't bad, but I wanted to love it. Anyway, Rocky already has a wonderful latter-day lega-sequel.

Tinker, Swinger, Playwright, Spy: Or, reviewed.

Chris Klimek

Erin Weaver and Holly Twyford (Grace Toulotte)

Erin Weaver and Holly Twyford (Grace Toulotte)

Given that Aaron Posner's 2009 production of Tom Stoppard's Arcadia at the Folger Theatre, starring Holly Twyford and Erin Weaver (and Cody Nickell and Eric Hissom) remains one of my favorite theatrical experiences, it's a cinch I'd be susceptible to Posner's reteaming with Twyford and Weaver in Or, Liz Duffy Adams' erudite farce about seminal British playwright Aphra Behn. Here's my Washington City Paper review.

Handicapping The Fate of the Furious on Pop Culture Happy Hour

Chris Klimek

I'm on Pop Culture Happy Hour today for the first time since our bummed-out post-election Pop Culture Serotonin Spectacular. And it was all the way back in December 2015 that I last shared the studio with the great Gene Demby of the Code Switch blog and podcast, when we handicapped Star Wars: The Force Awakens. I always feel things have gone well when I'm with Gene; he's a calming presence I guess.  Most of this week's episode was recorded live on stage in Chicago at last week, and neither Gene not I were present for that, so we're in the first segment only. The topic is The Fate of the Furious, a film I reviewed... unfavorably. 

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Diesel Fumes: The Fate of the Furious, reviewed.

Chris Klimek

Xander Cage as Dominic Toretto. (Universal)

Xander Cage as Dominic Toretto. (Universal)

We all know the inexplicably prolonged Fast & Furious series can't touch Mad Max: Fury Road or even its closer competitor the Mission: Impossible franchise, right? We all know that?

Even by the series' own standards of allegedly intentional badness, the new The Fate of the Furious is a sour lemon. (136 minutes, four good scenes.) Here's my NPR review.